Amazingly, The Pyramid is STILL there, although I haven't been in there in YEARS. I believe that they're still doing 1984 all these years later. Whenever I walk past on a Friday, the place looks packed (and from what I can tell glancing in from outside, it hasn't been renovated and looks exactly the same).
I think Columbus actually could have filmed many more of the exteriors in today's East Village. While yes, there are more upscale clubs, bars, cafes and restaurants, most of the neighborhood is still tenements (which now cost you $3000 a month to live in) and with a bit of creative art direction, could be dirtied up to look like the old days. While A & B are much more populated commercially than 15 years ago, many of the residential street blocks (6th between A and D, 7th through 12th between B & D, several streets between 2nd and Bowery) don't look all that different other than the occasional high rise that's popped up. Pyramid, 7A,Sidewalk, PS 122, are still there and unchanged and Mars Bar is still as nasty looking as ever. Why not film Maureen's performance art piece at Angel Oresanz that still looks the same as it has for decades (and hosts performance pieces to this day)?
Knowing the neighborhood inside out as I do, I found the film disorienting to look at -- especially the subway station next to Tompkins. Huh?
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney