Profile for Kad

I’m sure at least one of the new songs will be nominated- even lesser songs have gotten in, and they’ll want at least one of these women to perform- but it seems unlikely anything will stop the massive hit “Golden” from KPop Demon Hunters from taking the win. 

TotallyEffed said: "Michelle Yeoh was horrible in this."

no, she was Morrible in this. 

My sources tell me it’ll happen right around the same time Glenn Close’s Sunset Blvd movie comes out. 

Kind of a pretty thin piece, to be honest. Considering the topic- and the fact that it’s centered on two controversies that have mostly blown over- I was expecting something more than rehashing.

I know they haven’t done R&J in almost two decades but yeah I agree… let’s be a little more adventurous here.

Stop even humoring this disturbed person who compulsively cannot stop coming back here. Block. 

Wanted has an air of damaged goods about it. I wouldn’t be totally surprised if it never makes it to Broadway at all.

Felton certainly will give the dragging production a shot in the arm but it’s only a temporary reprieve. I also wouldn’t be surprised if that turns out to be a pretty front-loaded success, with returns sharply diminishing as his run progresses. 

Laura Osnes looked at the state of the country of right now and really said, “Yes, now is the time to open old wounds, act like a martyr, and try for a comeback. Get Bari Weiss on the phone.” 

Extremely long development periods usually are a red flag. 

It was critically panned, yes, but the word of mouth was even deadlier to this. Romy and Michele is a cult classic and they didn't have the cult on board with it at all. I have a number of friends who are diehard fans of the film and none had much positive to say about this. 

She sounds great, unfortunately the movie looks as unnecessary as it is ugly. 

Login has been stable for me for the last couple days, as well. 

Now, can you find a way to ensure that BroadwayFlash cannot login, at all, under any name, ever? 

I don’t know that he’s the “master” of reinvention. Other composers, particularly Sondheim, have long understood that allowing new interpretations of their work is essential to their longevity. ALW was fairly late in embracing this. 

Yes, it is. It ran even fewer performances than Dana H. / Is This a Room, which opened right when Broadway reopened post-shutdown.

I'm hard pressed to think of a show in recent memory running fewer performances. Glory Days, maybe? 

It is none of the names nor plays speculated here. It’s a new work, there is no Royal Court connection.

It's their next off-Broadway show. One-person show, star-driven.