Profile for Kad

Didn’t Newell also frequently call out of Once on This Island as the run progressed? And that role was even less of a lift than Shucked. 
 

Regardless, it seems likely that less established names will be sought for this. 

I really just can't wrap my head around how anybody could look around at the state of the country over the last several years and think, "You know what we need? A musical satire about Obama!" 

Nobile co-owns one bar/restaurant, the Friki Tiki in midtown, and it opened two years ago. And last season, Seaview produced three high-profile and profitable productions- Romeo & Juliet, All In, and Good Night and Good Luck.

He's doing very well and I suspect he doesn't need to keep unearthing old usernames to use a message board he's gotten himself banned from continuously for almost ten years. 

John Adams said: "ChairinMain said: "Okay hear me out....I think the set itself is the tree. The tunnel, made out of wood, is evocative (deliberately?) of a cross section of a tree trunk."

I wonder if it might also evoke the moon, as in "Two Men Contemplating the Moon"?"

I also thought it was evocative of a large eye watching them. 

Considering how hard they've come down on much less notable productions in the past, perhaps they just see this as too high-profile and lucrative a production to be so strict with? 

There are plenty of Billy/Marisha posters, particularly up here in Harlem where I live. It never stopped. 

Cabaret advertisements have been very common throughout the city throughout its entire run and all of its cast changes. 

Weird how some people just keep showing up someplace they aren’t wanted, sometimes a place they’ve even repeatedly banned from, huh?

I would also be very surprised. Typically the performers who remain non-union are those for whom working in union jurisdiction is unusual and not what they generally do. 
But also… how would you know she’s non-union? Unless she’s come out and said it, or appeared in a reading or something and did not have the asterisk next to her name, that’s generally not public knowledge. 

Interestingly, the complaint doesn't entail any of that. The investor is alleging that the producers defrauded him by not sharing profit from the weeks the production was profitable and then alleges they did not provide access to financial records. It frankly just seems like he regrets investing in a flop and is trying to get some of his money back. 

There’s always money in the banana stand.

Whatever this production’s faults, I don’t really see this lawsuit as having much merit. The production hasn’t been consistently profitable for months and has a running cost of around $1mil weekly. Even supposing the production had kept pulling in the numbers it did when Redmayne was in, it still wouldve taken at least two years or more for any investors to start seeing returns. 

Doyle used actor-musicians at Classic Stage Company in Allegro and The Cradle Will Rock. 

malcs98 said: "With numbers like these, I think it could be safe to assume that the 2025/26 season could be Broadway's last..."

Broadway has survived the Great Depression, wars, NYC's near-bankruptcy in the 70s, AIDS, 9/11, Hurricane Sandy, COVID, but, yeah, sure, let's call it based off of this week's grosses. 

 

These drops are not good. This is never a particularly amazing time for Broadway, but drops like this are really unusual. Of the shows that were running this time last year, only Hadestown, Hamilton, Oh Mary, and Wicked did not see drops in gross. 

Well, Krakowski will be the oldest performer to play Mary thus far, so it would make sense to pair her with someone a little older, as well.