Profile for Kad

Producers certainly have a right to hire whomever they like for whatever reason they like. But once somebody is employed and on contract, it is wildly inappropriate to attempt to censor them outside of the workplace as an ongoing condition of their employment. And Trimm seems to be implying she was told that a reason would be created to terminate her, which flies in the face of the conditions for termination under Equity's contracts which generally only allow termination for cause.

She is not circumventing any rules. You cannot be forced to join AEA. She will be working on an Equity contract, she will have working dues deducted and benefit trust contributions made on her behalf. She will just not, herself, be a member. Her quitting the union was extremely performative and really only saved her the twice annual membership dues, which is a negligible amount for her.

I much preferred the last key art, featuring both women with shadowed faces. These character portraits are far less dynamic and really lack style.

The fact that Sadie Sink was announced for two upcoming Marvel films should’ve killed the rumor of her involvement.

Two performers were cast from the call, Jack Bateman as Georg and Antonio Porciello as Hanschen. Two out of 11 cast members coming from an open call that saw well over 2k auditioners is pretty darn good, imo.

RUkiddingme said: "There aren't 20 comments calling for 20 shows to close immediately!?!? Is everyone ok?"Well... the shows that have generally been discussed as potential closures in the last few months have basically all announced that they are, in fact, closing in the near future.

I gasped when I saw. Another true genius and icon gone.

Here is a gift article from the NYTimes about the developmentBasically, the Trump crony-packed board is drafting a resolution ahead of a meeting on Tuesday to say that the Center is at risk of insolvency but that Trump has offered financial support to the institution... but will not do so unless he is honored in an inscription on the building. Effectively, they are attempting to hold i

Having not seen Lewis, I can't really comment on what the dynamic between her and Amber was like, but Sherie and Amber have fantastic chemistry and I often found myself watching them getting up to all sorts of weird, funny business together. They definitely were a pair in cahoots, totally in sync and feeding off each other. It's really delightful to watch.

The production did cast performers from that open call; at least two, from what I have heard. Nobody is “scorned.” They saw, what, over 1000 kids? They can’t give them all tickets or cast even 1% of them.

Unfortunately, those remakes have generally proven incredibly lucrative even if they fade immediately from cultural memory.

I mean, reception to all versions of the show hasn’t been particularly great, so it makes sense Disney would skip a potentially risky major investment on Broadway and go right to the safer bet of regional licensing. The show could be a total mess and it’ll still be produced across the country at every level.

I was there last night for Shears’ debut. It was also my first time seeing this production.Overall, I had a very fun time; the audience was super into it, lots of callbacks and lots of dressing up. The production itself is a surprisingly mixed bag. When things work, they really work, but when they don’t, the production just sort of sits there, awkwardly staged and inert. The whole production feels conceived for a much smaller house and it would probably work like gangbusters in a 200-seat dow...

While I’m not sure where “the Broadway pro-shot I’d like to watch is on a major streaming service I don’t want to subscribe to” ranks on the list of first-world problems, I am certain it’s on there.

I’m looking forward to gathering with friends, drinking some paint thinner, and having everyone shout, “the South of WHAT!?” in unison.

If Rudin really wants to prove he’s changed, he should livestream his reaction to this bungled sale.

There still seem to be issues with new pages on threads requiring a "bump" post to get them accessible and viewable. (example right now is the Lost Boys thread, with the 251st post and 11th page not accessible and only viewable when replying).

The price alone is obscene but the service fee on top of it is even worse, seeing as how ATG owns the ticketing platform and the venue.

Lion King sends out mailers and puts out regular advertising campaigns. As does Chicago. This is what established brands do.

Interesting that Wicked is the only production not to see at least a five-figure box office boost.