| Member Name: |
Patti LuPone FANatic |
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Austin, Texas |
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Pre-Kindergarten teacher |
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My name is Roman Castillo Jr. I live in Austin, Texas, a relatively liberal community. I am a big fan of Chicago the Musical. I have seen the show 35 times (the first one being on St. Patrick's Day 2011) and one concert version in 2019 in Dallas. When I first visited NYC in 2006, I really didn't give Chicago much of a thought. Once I saw it on March 17, 2011, I was hooked. At the stage door, I met Ryan Lowe, Jason Patrick Sands and Leigh Zimmerman (Velma Kelly). Over the years, I have met many of the Chicago cast members at the stage door: Bianca Marroquin, Terra C, Dylis Croman, Jennifer Fouche and so many others. I got a chance to visit backstage at the Ambassador Theatre due to the kindness of Jason Patrick Sands. I had a chance to meet Charlotte D'Amboise inside the theatre as well. I have often wondered if the cast members are aware of this thread about the show. When I see Chicago, I always try to get a seat on the first row. I have met several Broadway legends over the years: Angela Lansbury and Marian Seldes (2007), Chita Rivera (2015) and also Judith Light. I love New York City and Broadway.
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Most Recent Message Board Posts:
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Merry Christmas, Happy Hannukah and Happy Kwanzaa! Dec 25
2025, 10:35:53 AM
Greetings from one and all on this special day! from Roman in Austin, Texas
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Chicago The Musical Appreciation Thread Dec 24
2025, 07:39:44 AM
https://www.broadwayworld.com/article/Patrick-Wilson-Reveals-An-Itch-to-Return-To-the-Broadway-Stage-20251223 After reading this article, I think he'd make a great Billy Flynn. Thoughts?
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Anyone seen Linda Eder recently? Dec 15
2025, 11:40:46 AM
"So many men, so little time. I want them all. Is that a crime? _______________
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Broadway Grosses: Week Ending 12/7/25 Dec 9
2025, 02:01:38 PM
Winter is coming.
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Chicago The Musical Appreciation Thread Dec 8
2025, 08:30:47 PM
https://www.instagram.com/p/DSATRRfESxZ/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Mikayla Renfro's recent turn as Velma Kelly.
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Chicago The Musical Appreciation Thread Dec 7
2025, 10:02:18 PM
https://www.instagram.com/reel/DR_ERBkDBOi/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Celina Nightengale comments on a very busy week.
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Chicago The Musical Appreciation Thread Dec 7
2025, 02:06:01 PM
https://www.instagram.com/p/DR0Yosakcw-/ Liza and Chita rehearse Hot Honey Rag.
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Chicago The Musical Appreciation Thread Dec 5
2025, 05:58:57 AM
https://www.instagram.com/reel/DR2oiI8kY18/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Liza singing 'Roxie". (There are a few gaps in this audio clip.)
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Chicago The Musical Appreciation Thread Dec 5
2025, 05:53:54 AM
https://www.instagram.com/reel/DR2sDmNEShY/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Liza Minnelli singing "My Own Best Friend".
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Chicago The Musical Appreciation Thread Dec 4
2025, 11:33:46 AM
ColdClimateDude said: "Any news on the tour cast? Is it non-equity?" Yes. As far as I can tell, the last Cellblock Tour equity production was in 2019, with Lana Gordon and Dylis Croman (I saw them two times in Houston.)
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Chicago The Musical Appreciation Thread Dec 1
2025, 09:33:12 PM
Former Velma Terra C MacLeod is playing the role of Marlene Dietrich , along with Deborah Hay as Edith Piaf. https://www.grandtheatre.com/event/piaf-dietrich Feb. 17, 2026---March 7, 2026
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Chicago The Musical Appreciation Thread Nov 30
2025, 05:25:45 PM
https://www.instagram.com/reel/DRpeIpHDQk4/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Marsha Bagwell (Matron Mama Morton / Mary Sunshine standby) talks about the first time she went on as Matron Mama Morton in the 1975 production of Chicago.
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Chicago The Musical Appreciation Thread Nov 30
2025, 05:17:06 PM
https://www.instagram.com/reel/DRpQcHvDb_j/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Marsha Bagwell and her wonderful audition story for the roles of Mary Sunshine and Matron Mama Morton in the original production of Chicago.
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Chicago The Musical Appreciation Thread Nov 30
2025, 05:09:14 PM
https://www.instagram.com/reel/DRsdfdhESt2/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Marsha Bagwell, the original standby for Matron Mama Morton in the 1975 production of Chicago.
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Chicago The Musical Appreciation Thread Nov 29
2025, 10:53:33 PM
https://www.instagram.com/reel/DRqEfBrkXph/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Chita and Gwen perform "Nowadays".
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Chicago The Musical Appreciation Thread Nov 28
2025, 07:34:17 PM
https://www.instagram.com/reel/DRm1N0UESGG/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Marsha Bagwell as "Matron Mama Morton" (1985)
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Chicago The Musical Appreciation Thread Nov 24
2025, 03:00:51 PM
Lenora Nemetz on her mid show debut as Roxie in the 1975 production. https://www.instagram.com/p/DRXgDDgDukc/
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Chicago The Musical Appreciation Thread Nov 24
2025, 02:42:37 PM
https://www.instagram.com/reel/DRadA1fkeLE/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== The vaudevillian inspiration for Me and My Baby (Eddie Cantor).
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Chicago The Musical Appreciation Thread Nov 24
2025, 11:51:59 AM
https://www.instagram.com/reel/DRckd9GEWgh/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Barney Martin as Amos (original Broadway production) In this IG article, there's a story about the real life inspiration for the character of Amos Hart:
Did you know, “Mr. Cellophane” in Bob Fosse’s Chicago was based performances by Bert Williams? Williams was the first modern Black entertainment star: the first Black recording artist, one of the earliest Black leading men on film, and the first Black performer to star in a major Broadway production (Ziegfeld Follies) with white actors. His signature song, “Nobody,” a hauntingly comic lament about being unseen, directly inspired the creation and tone of “Mr. Cellophane.” Fosse and Kander & Ebb drew on Williams’s bittersweet blend of humor and pathos — the ability to make audiences laugh while revealing something painful underneath.
Williams’s career was full of contradictions. He achieved tremendous success while navigating a segregated industry that forced him into blackface even as he tried to subvert it. Unlike many other blackface performers, Williams did not play for laughs at the expense of other African Americans or black culture. Instead, he based his humor on universal situations in which any members of his audience might find themselves. In the style of vaudeville, Williams performed in blackface makeup like his white counterparts. Blackface worked like a double mask for him. It emphasized the difference between Williams, his fellow vaudevillians, and his white audiences.
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Chicago The Musical Appreciation Thread Nov 24
2025, 11:33:05 AM
https://www.instagram.com/reel/DRa7fDtjz35/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ== Chita as Roxie
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