Profile for GiantsInTheSky2

Spambot started with A (with row BB on the sides), if I remember correctly. 

Hiding from you.

I don’t see the word “every” on any of the press announcements or their Instagram post about it. They all say tickets will be available 50% while supplies last - some articles specify all preview performances, but not all tickets. They also said you may* get a pin, which a friend of mine did, so maybe you just weren’t randomly chosen. Not sure why non-Premium seats at 50% is a bad experience for you, but to each their own. 

Would love to know what performance from this production you think would be fitting for the Macy’s broadcast. 

TBFL said: "I realise it's all be refurbished, but what is the rake like in the Orchestra, where does the Mezzanine overhang from? I can't decide between the two levels."

Mezzanine overhang begins with row J of the orchestra. I personally recommend the mezz. 

The offer was extended to June 2nd. Currently you can get 30 Under 35 tickets to Hills of California, or you can do a subscription package of shows for $30. 

AC126748 said: "LuPone and Farrow are talented actors, but there's only so much anyone can do with a script this weak."

Thank you for this feedback. As much as I love some legends, I’ve seen them before and would prefer to spend my money on a more ‘important/must-see’ piece of work (as a whole). Different strokes. 

I may just be stuck in my ways, but I prefer the longer tracks for the last few scenes. Regardless, very happy to have preordered this recording! Love that it was (supposedly) recorded live. 

From what I’ve heard, this is “fine”. Other than the star casting, would you consider this “must see”? 

…I have to ask, why even post that video? They should have filmed and a released a spot when the cover was on for almost the entire stop. Not a single note of that clip was enjoyable. I’m surprised ALW/RUG would even want that out. 

Nicholas Christopher is playing George Washington August 27th through October 20th, according to his IG story. 

This video from a few days ago (‘episode 1’) is kind of funny, I’m sorry. They keep trying to push this narrative that Nicole was pushed aside in the same way Norma Desmond was, and how similar their trajectories are, when that’s a strange revisionist history. Nicole’s been making millions off her name and talent since The Pussycat Dolls disbanded, despite never launching the solo Pop Star career she wanted. She’s been consistently working her whole adult life, with high-profile projects and very well-paid. It’s interesting that she puts so much emphasis on her Broadway debut as if it’s some long lost dream, when she had an opportunity with Cats almost a decade ago and things (allegedly) fell out due to contract negotiations.

Her doing a whole monologue about, “there’s no ego, no vanity, I literally cut myself open and turn myself inside every night for them…you don’t care what you look like, what you sound like, how insecure you look” is truly AMC commercial worthy. Somehow, heartbreak feels good in a place like this. 

All this to say: I can’t wait for September 28th. 

Yes, she joined prior to the Chicago and New Orleans productions. 

While it’s not my cup of tea, I think this production will last longer (and be more acclaimed with critics and fans alike) than the 2017 revival. 

Shout out to Michael Olaribigbe on his Broadway debut, too! 

I second following the understudies/swings/standbys on socials - but also, Understudies.org is a fantastic new resource. You can set alerts, submit new dates, see who’s going on today, etc! 

Last I heard (granted, a week or two ago) they were still looking to secure studio space. Show is supposed to be in previews nine weeks from now. 

Was not aware of Lopez and Marx falling out. What happened there?