Profile for GiantsInTheSky2

During this process, he’s also been developing & workshopping an original musical titled ‘midnight’. Todrick wants to be a jack of all trades so badly, which is ambitious and all that…but he needs a team of people to ground him as opposed to hyping up all of this. You can try to do everything when you’re making YouTube videos, sure, but not a project of this magnitude.

I’m sure a lot of it is ego driven, but the more hats he wears

Casting Theresa Guidice is an odd choice considering Bravo has pulled Housewives of New Jersey from their programming and are allegedly in the process of rebooting it or replacing with the Rhode Island franchise. It’s not like when they cast Erika Jayne from Beverly Hills while she was actively filming, and you have the nice bump of cross promotion. 

Maybe they hope her time in prison will bring a more believable performance?

In all seriousness&hel

The last time Titus was in the show and calling out, his name was above the title billing (he said in his initial casting announcement that he would only come back to Broadway on that condition, being “on my (his) terms”).

The last time they initially refused refunds, and the next day were issuing them because they were called out for the mistake. Not sure if they changed his billing for this round (anticipating this might happen again),

SisterGeorge said: “It was a big win for them, but I also believe it was a big win for us. I don't know that we will be better off without their support, however hypocritical it might have been.”

Except it wasn’t actual support, which is the point being missed. They slapped a rainbow on their logo for a few weeks to be heavily promoted in our spaces & get our money, and the second they have the chance to, they fold up their Pride flag and don

In my opinion, the actual setting of the scene doesn’t matter that much as it completely breaks the fourth wall of the show anyways. I don’t think the Alicia Keys musical was playing in Los Angeles pre-1950, but you see Joe walk directly in front of it.

It’s an interesting creative possibility for the local audience/community attending to see part of their town (just as they love it when a show throws in a local reference that has nothing to do with the show)

Nothing you’ve said is incredibly difficult to do in a touring format compared to a standalone venue. It’s another step in their logistical planning, sure - but that doesn’t make the actual stunt more difficult to execute than what they’ve already done twice already.
 
I’m curious as to why you think they need to hire and train a new camera operator for each and every stop, as opposed to that person being part of the standard touring

“The walk” was impressive because it was happening amidst the hustle and bustle of the theater district in Manhattan. Other than that….it’s filming someone crossing a street and walking outside for three minutes. A fun gimmick, but not much more than that’s 

It’s not a difficult ‘stunt’ elsewhere nor would it take much time to establish a “route” for each stop of said tour. They don’t even make it a block away

Eh, I dislike Todrick as much as the next guy, but this post seems to be overdramatizing something that isn’t totally shocking. 

First of all, the show doesn’t start previews for another two weeks, and he isn’t necessarily required for the West End Live performances. He very likely has an agreement in his new contract (replacing the director and choreographer) for wiggle room in regard to absences etc, similar to Christian Borle in Some Like It

“It also brought me a stage used pineapple that was going bad, and I ate the **** out of that pineapple.”

Evidently. Crying for two weeks over a summer stock production, then seeing that musical eighteen times in two years is…something.

Everyone’s being too precious about this production. From the beginning, it was gimmick over substance and no realistic casting would have elevated it to the heights needed to be a hit he