Profile for ColorTheHours048

I’ve heard nothing but raves about this going back to its run at Leeds Playhouse (not Southwark), so I can’t wait. They took a similar marketing strategy as the first film, rolling it out in incrementally larger markets to build interest for the mainstream market, and I think it’ll pay off.

Also, let’s keep expectations reasonable. It’s primarily meant to be an effect-reliant spook show, with maybe a better-than-average story for a Paranormal Activity

“Full vacate” means it’s not inhabitable by people, not that they need to fully clear it. Since it sounds like the damage was to the electrical infrastructure on the opposite end of the building from the stage, they’ll need to start emergency repairs ASAP and then have the Department of Buildings re-assess it. From there, they essentially need to fully re-tech the show before opening.

Given the deep pocket reserves of the producers, I can see them doing ever

I have to imagine the poor execution and reception of Wicked: For Good harmed the show’s grosses. We saw a massive bump for the well-received first part, but the letdown of the second part seems to have let the cat out of the bag a bit that the second act of Wicked is just not very good. It’s surprisingly handled better on stage, but even as someone who has seen the show too many times to count, I could see the reaction of “Oh, that’s how it ends?” keeping a good

blaxx said: "ColorTheHours048 said: "I wonder what“indefinite” ultimately ends up meaning. Obviously, this is all developing, but I have to imagine they have some kind of loose timeline for what the building repairs will entail. “Indefinite” could mean the difference between reopening at the O’Neill and trying to relocate the show to another theater, not to mention closing altogether if it proves too costly."

It just means t

darquegk said: "I don't really know if the gig is prestigious or pays well, but Mirka Andolfo would be a very fun caricaturist: her style has this distinct affectionate grotesqueness to it that represents but still distorts the characters. It's a little nineties animation, a little manga, and a little European comics."

I’d settle for “looks like the subject of the portrait” at this point. I don’t need or want them to look like cartoons

CoffeeBreak said: "ColorTheHours048 said: "I think it’llget pretty mixed reviews. Luke Evans is genuinely a bit of a revelation in this, and Amber Gray is menacing and bizarre in all the right ways, but I found almost everything else about it a little community theatre. And not really in a way I think they intended. (Oh, how I wish Harvey Guillen were replaced by a drag king.)"

It supposed to bebasic. in the interviews they have mentioned it. They