Profile for Patash

 

Call me stupid but I saw them do Annapurna a couple years ago in New York..  At the time I had no idea there were married, and I arrived just before curtain so didn't have time to read the Playbill and find that out.  It wasn't till later when I read that I realized why their onstage chemistry was so great.  

 

 

I love her voice, but I've seen her do a couple of things since Jerry's Girls, mainly an embarrassing production of Mame at Buck's County Playhouse is which she was only lukewarm in the acting department.  Also a regional production of Mack and Mabel in Florida and she was even less impressive.   I personally think she's best doing her cabaret act which is sensational.   

When I bought my ticket there were a lot of seats in the front row of the mezzanine, but very few in orchestra.  I recall the Booth stage is very high and I once sat in front row of orchestra and although I'm 6 feet tall I could barely see onto the stage and lost them when they were upstage.  But I LOVE the front row mezzanine of the Booth.  Have you checked that?  That's what I got and am looking forward to it.

"Her acting in some places felt a bit subdued to me, but could be a choice to be playing Jenna as a bit more quietly resigned to life than other actresses have played her."

 

Hmmm. I'm trying to look at this as a positive as you seem to be doing, but for the life of me I can only seem to interpret that comment as "her acting is really dull".

Ever since posting about the woman exclaiming the actors were real when the curtain went up, I've been trying to remember what show that was.  Today it hit me -- it was Newsies.  I was in a Premier seat, by the way, so it begs the question -- how much would you pay for a seat to the movie Newsies?

 

I think many here are being naive about just how uninformed many audience members are.  I still recall when the curtain went up for one show, the lady behind me loudly saying "look those are live people".   Apparently she thought she was going to see a movie.  

Ah, thank you, scarywarhol.  I didn't realize it had been cleaned up before the "on demand" airings.  

Is this where I ask "at what angle were the wings worn"?  

Come on folks.  Can't you recognize an April Fool's joke when you see one?

 

I stopped reading when I saw "almost every scene had tap dancing girls appearing for no reason."   How insane.  Since when does any show need a reason for tap dancing girls to appear?   

I never saw Ethel do it live, so I won't go there, but I did see all the others mentioned and I'd have to say Imelda Staunton might have been my favorite.  While I LOVE my Patti, I'll have to also say hers was my least favorite.  It just seemed she worked so hard delivering it, too many strange histrionics for my liking.   I sat in anticipation of it the whole show and then was just so underwhelmed by it.  Sorry.  

Hmmm. Unmasked is good.  I was mainly seeing the masking tape and thinking "Mask".

 

 

I do recall a college prof saying "the quality of a farce is in direct proportion to the number of door slams in it".

 

Well, not about shows he directed, but from a friend who was in the original  production of November, I was amused that Mr. Mamet always sat off in a corner at an old fashioned typewriter, constantly typing during early rehearsals. 

My how times change.  I remember back in the 70s when every other girl auditioning could be counted on to sing one of the following:  "Sixteen Going on Seventeen", "I Enjoy Being a Girl", or "Cockeyed Optimist"