Profile for GregHut

Bunch of $20-$40/part tickets in Nov., mainly Nov. 23rd. 

A couple $40/part tickets are available for Nov 7th.  They're balcony row E seats 2-4.  

Elegance101 said: "Wasn't eligible for Best Score, but I don't know why it wouldn't have been eligible for orchestration."

Thank you. 

Does anyone know how many categories Cursed Child was eligible for?  I can't seem to find the answer with a google search.  I'm wondering if it was even considered for best original score and/or best orchestration.

I read the script before seeing the play and I personally loved it.  Most of the complaints I've heard have nothing to do with the actual story, which is phenomenal in my opinion. People seem to think they know the characters better than JKR.

ColorTheHours048 said: "Huh. I didn’t think a show with such positive word of mouth and an advance that would make any producer set for life would need to hire message board plants. And yet, here we are."

You really can't blame them.  No one has ever heard of this Harry Potter character before now.  It's not like there's a massive worldwide fanbase that's been steadily growing for the past 20 years or anything. /s  

Ho

SarahNYC2 said: "I did not like it at all. Now I am not a Harry Potter fan but I know the basic story. I am an avid fan of Broadway shows. So I wanted to see it. I was bored. It didn't help that I was FREEZING to the point I had to where gloves, my coat and my hat.

I only paid 40 per show so at least I didn't break the bank. I just cannot understand what all the raves are about."

I know I shouldn't get so much delight out of your misery, but I

No sorry I screwed that up.  It was for tonight and tomorrow.  I wasn't returning them, just had them in my cart.

2 seats for tomorrow night. Dress circle row M for $40/part. I was close to hitting pay, but I can't justify making 2 trips to NYC this month.  I'll release them at 5:07.

Serendipiteedee said: "I'm with you, I love the script on its own. I think the writing is very strong. I've seen the play a number of times in London and am going to see the Broadway version next week. It's not a play with complex dialogue, but it carries on the themes from the books beautifully and develops them further.

I disagree vehemently that it doesn't explore any themes or ideas. It's about legacy, the cycle of abuse, guilt and recovery. It'