Profile for Timon3

When I come over to visit my Father who lives in Palm Springs, I am thinking of doing a theatre road trip, by which I mean drive from the West Coast to the East Coast. Want to see shows on the way, but outside the big cities theatre seems to be a bit patchy. Has anyone done anything similar?

Everything in the production would have been damaged and everything will need renewing. The producers have the decide whether to close the show or move theatre. Don’t know if there is a spare tour set if they decide to move? This could be the Australian or UK one if no American one isn’t available.

Will the insurance pay out the pay cheques for cast and crew?

Yeap she was one of the many producers. The production got a rave from the late Clive Barnes. Sonia’s sister Maria got raves across the board including from Ben Brantley in the NYT, although he did call the show ‘pallid’.

Some of Harry Potter

The Woman in White

sinister teashop said: "The ten year contract between CBS and the American Theatre Wing and the Broadway League ends this year. The Tonys have had a relationship with CBS since the 1970's but the media company hasnow become a propaganda tool of the Trump administration. Will the Tonys renew the contractfor another ten years?"

Isn’t there going to be a special Tony this year for peace, going to Trump of course.

I would love to see James Hameed and Arti Shah make their Broadway debuts, they both are great. They could also coach the other Paddingtons for when they take over fully.

I gather Mary Poppins is a brand new production and therefore will be very different to the Disney/Cameron Mackintosh production, so I would also assume this production will be the one that goes on the road in 2027.

So I also wonder why Disney/Cameron Mackintosh went for a brand new production, where the one that toured the UK recently was a big financial success and would also would be if it toured the US as it is very much a beloved title both sides of the pond.

Six is very British and easily recouped, as did Billy Elliot & Matilda. War Horse was also very British and went into the black, you could argue the same for Kinky Boots.

This show is being helmed by Sonia Friedman who is the best in producing and knows the Broadway market.

This show will need to hit $2m a week which seems the soft spot for a big show to recoup, saying that if the show is good the midtown crowd will come out from the tri-states.

Wasn’t all set to go to Broadway’s Martin Beck theatre with the marquee already up, but Harold Prince’s production got panned in Washington DC try out.

Also ready in Gerald Schonefeld autobiography that it was set to go into the Shubert, but the Shubert Organization couldn’t evict Big.

Anyway this musical is the same as Chess and Aida, by what I mean it has a stunning score, but awful book!

This Cats is very different to the original which won the Tony for Best Musical/Score/Book the book has been substantially rewritten so could this Cats be the first revival to win the Tony for Best Book? It would also for the first musical to win Best Book twice?

Again CTG misses the mark with a wow show. This season I thought they pull a late rabbit from the hat, but didn’t happen.

Could the show pull $8m from the road, or is that unlikely?

Wow Broadway in Hollywood hoovers everything up, remorselessly. I had a feeling that The Outsiders would’ve announced as a late addition for the Ahmanson, like &Juliet did, the reason for this is because their current season is appalling, so thought they pull a rabbit out of the hat - but I was very wrong. It just means that the Center Theater Group has to look harder for shows and unearth gems like Everyone is Talking About Jamie, which I loved, period. I saw it seven times.

Are Ordway expecting subscriber to stump up $100’s dollars for subscription?

Call_me_jorge said: "What happens when the Pantages gets booked with a sit down? The Ahmanson picks up the slack, I’m sure."

What happens if the Ahmanson gets a sit down, what happens with their subscription?