mediocre shows with great scores?
#2
Posted: 3/28/13 at 10:45pm
ANYONE CAN WHISTLE, maybe. Some great songs ("ME AND MY TOWN", "THERE WON'T BE TRUMPETS", "ANYONE CAN WHISTLE") but it just doesn't work on stage.
Give me claws and a hunch, just away from this bunch.
#3
Posted: 3/28/13 at 10:47pm
I'm going to be very controversial here but...WONDERLAND (especially the concept recording). I'd probably say most Wildhorn except for BONNIE & CLYDE which is actually a great show too.
"Pardon my prior Mcfee slip. I know how to spell her name. I just don't know how to type it." -Talulah
Updated On: 3/28/13 at 10:47 PM
#4
Posted: 3/28/13 at 10:48pm
Surely this is the knock on MERRILY WE ROLL ALONG, no? That the concept is too difficult to work without exposing some flaw(s) or another, but that the score is usually (if not unanimously) praised as one of Sondheim's most beautiful.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#5
Posted: 3/28/13 at 11:10pm
Mack and Mabel; Rags; Candide come to mind.
BroadwayEd
#6
Posted: 3/28/13 at 11:58pm
Love Never Dies. Sublime score. Wrecked by lame plot.
#7
Posted: 3/29/13 at 12:52am
Wonderland
"There’s nothing quite like the power and the passion of Broadway music. "
#8
Posted: 3/29/13 at 1:16am
The Baker's Wife. Great songs (Meadowlark, Gifts of Love, Where is the Warmth, Chanson) ruined by a plot that simply refuses to work on stage.
I'd like to second Love Never Dies. There are some really beautiful moments in that score, but the story just doesn't work.
I'd like to second Love Never Dies. There are some really beautiful moments in that score, but the story just doesn't work.
#9
Posted: 3/29/13 at 1:34am
Dear World, Anyone Can Whistle, Mack and Mabel, Golden Boy, Superman, Flora: the Red Menace, and the Rink
#10
Posted: 3/29/13 at 4:16am
I agree! If Love Never Dies ditched the lyrics, plot and characters and became a concert suite, it would be great. I've always been a sucker for a lush ALW score!
I'd also say Chess. I've always loved that score!
I'd also say Chess. I've always loved that score!
#11
Posted: 3/29/13 at 5:02am
Just about anything written before 1940. The scripts in those days werent meant to be anything other than a clothesline to hang the songs on, which makes it all but impossible to produce any of them without doing some serious re-writes.
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#12
Posted: 3/29/13 at 5:04am
Wonderland, Lysistrata Jones, High Fidelity and Glory Days.
#13
Posted: 3/29/13 at 9:08am
Not really a show, but an animated musical, I think "The Hunchback of Notre Dame" has a glorious score and is a very mediocre film.
I also love the score of "Home on the range", but don't like the film.
I also love the score of "Home on the range", but don't like the film.
#15
Posted: 3/29/13 at 10:02am
Love Never Dies is one of my favorite musicals at the moment, but I admit it took me multiple viewings to get used to the story. Once I gave in, the show as a whole was absolutely breathtaking, and it all made sense. I think for someone who's not familiar with the original, the book wouldn't be a problem as it is a very compelling story, it's just shocking to see the characters so drastically changed. I still think it the show has a future, it just needs some slight re-imagining. Perhaps a dream sequence in the beginning where the characters are again in Paris, and you see some slight character development.
#16
Posted: 3/29/13 at 10:11am
Minnie's Boys
Chess
LND
Chess
LND
"Your eyes..... they shine like the pants on my blue serge suit"
#18
Posted: 3/29/13 at 11:10am
I'll challenge fashionguru's listing of THE RINK here. Saw the OBC 4 times, and loved everything about that show-- score, script, A J Antoon's direction, all of it.
I'm counter-submitting a slew of Sondheims:
PACIFIC OVERTURES
ASSASSINS
DO I HEAR A WALTZ
and heretically, FOLLIES
I'm counter-submitting a slew of Sondheims:
PACIFIC OVERTURES
ASSASSINS
DO I HEAR A WALTZ
and heretically, FOLLIES
#19
Posted: 3/29/13 at 11:35am
The Little Mermaid. The cast recording is beautiful even if the show was a plastic mess.
"I saw Pavarotti play Rodolfo on stage and with his girth I thought he was about to eat the whole table at the Cafe Momus." - Dollypop
#20
Posted: 3/29/13 at 12:06pm
Aida? Ive not seen it, love the cd but understand the book had issues
#21
Posted: 3/29/13 at 11:48pm
personal ones for me include:
john & Jen - I had listened to the CR and loved it, but when I saw it I thought it really didn't work.
American Idiot - I know it's not an original score but I find the music and arrangements much more more enjoyable than the show as a whole
West Side Story - I don't dislike the show, but I find the score far superior to the book
john & Jen - I had listened to the CR and loved it, but when I saw it I thought it really didn't work.
American Idiot - I know it's not an original score but I find the music and arrangements much more more enjoyable than the show as a whole
West Side Story - I don't dislike the show, but I find the score far superior to the book
#22
Posted: 3/30/13 at 12:08am
Johnny Johnson
The Gay Life
On a Clear Day
The Gay Life
On a Clear Day
#23
Posted: 3/30/13 at 12:54am
No Name,
Did you see The Gay Life? If you did, you would know the show was anything but mediocre. It was a sheer and utter delight from start to finish. And the score, of course, is magical.
With respect to the subject of this thread, time changes everything. What might have been considered a mediocre show back in the good old days now looks like a masterpiece compared to the things we get today that garner raves and awards.
I'd take Happy Hunting over Once, Out of This World over Book of Mormon, and Carmelina over Queen of the Mist, Parade, Light in the Piazza et al. any day of the week.
Wouldn't everyone?
Did you see The Gay Life? If you did, you would know the show was anything but mediocre. It was a sheer and utter delight from start to finish. And the score, of course, is magical.
With respect to the subject of this thread, time changes everything. What might have been considered a mediocre show back in the good old days now looks like a masterpiece compared to the things we get today that garner raves and awards.
I'd take Happy Hunting over Once, Out of This World over Book of Mormon, and Carmelina over Queen of the Mist, Parade, Light in the Piazza et al. any day of the week.
Wouldn't everyone?
#25
Posted: 3/30/13 at 1:23am
Women on the Verge of a Nervous Breakdown.
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