Terms of Endearment with Molly Ringwald
#1Terms of Endearment with Molly Ringwald
Posted: 10/20/16 at 7:08pm
Just heard about this. Whats the 411 on the script? I really like Molly, but isn't Aurora out of her range. She doesn't really play feisty and wounded very well. Does the play span from birth to death like film? Anyone have any insight into this show?
#2Terms of Endearment with Molly Ringwald
Posted: 10/20/16 at 7:20pm
Unless it has been radically redone, I do know that it was originally written to be performed by a cast of three. Not sure how that works out with all the layered characters in the book and film adaptation, but sounds kind of sketchy to me.
#3Terms of Endearment with Molly Ringwald
Posted: 10/20/16 at 7:35pm
There is a principal cast of 6 announced. No word if there's an ensemble for ensemble roles.
bigbelterbaby
Broadway Star Joined: 7/5/10
#4Terms of Endearment with Molly Ringwald
Posted: 11/5/16 at 12:32am
has anyone seen this yet ? I'm interested how the story translates to the stage. According to the site it seems like there is only 6 in the cast total. http://www.59e59.org/moreinfo.php?showid=269
#5Terms of Endearment with Molly Ringwald
Posted: 11/5/16 at 12:54am
I saw this tonight. Simply fantastic on every possible level. 59e59 Theatre's A Theatre is a small intimate theatre which enhances the performances in this super intimate setting.
With only 4 leads, 1 multi-female track (playing Patsy, a nurse, etc) and a solo actor (playing a doctor), the entire TERMS OF ENDEARMENT we all know and love unfolded perfectly. This is a true showcase for Molly Ringwald and her Aurora Greenway is solid (crazy to think Shirley MacLaine was 49 when she won an Oscar for the 1983 film - Molly is 47).
A true revelation was Hannah Dunne as the daughter Emma. She held your attention whenever she was on stage. Jeb Brown as former astronaut Garrett channeled the film's Garrett: Jack Nicholson, which worked nicely when needed but he still added his own touch.
Using 3 main set pieces, 2 individual doors and hidden entrances, everything unfolded. What we didn't see was told thru dialogue. All of the film's known lines are in this. It reminded me of the original stage version of STEEL MAGNOLIAS, where the women mentioned things and people though we never see them.
The play runs 2 hours with a 15 minute intermission. Act 1 was a startler as the play simply could have gone on without any intermission. The audience was totally absorbed in this. I'm definitely seeing this again.
Videos


