Now Paul Wontorek had an evil smile. A silly grin that you would normally see on naughty children. For some reason, God had given this man, this crazed man a special power. A gift if you will. He had the power to vote on the fates of actors. He held the power of a Tony ballot in his sick little hands.
Paul seemed proud of this and declared himself Emperor of Broadway.com. He ruled it with an iron fist. Moderators marched out in droves and fear, extermination and oppression were the tools of Wontorek and his Stage Notes. Posters like Dolly, Namo and Sum were herded like cattle. They were harassed and threatened with expulsion. Pauls propaganda paper known as "Stage Notes" fought the message boards saying things like
"I'm not saying that I don't think it's right to voice your opinion about a show (I've got a big mouth myself). Just do it somewhere else!"
It was a dark time in the theatrical world. When the opinions of good, decent theatrical enthusiasts were shut down. What were we to do? We lived in fear and every day was another day being ticked down.
Shall I continue?
BSoBW2: I punched Sondheim in the face after I saw Wicked and said, "Why couldn't you write like that!?"