I guess I'm not suffering from so much Nazi burnout because I haven't watched any of the freaking deluge of WWII-themed movies this year. (Has anyone seen NY Magazine's hilarious flow chart? I'm sticking a link to it at the bottom of this post.)
Anyway, for me this was about Singer and the awesome British cast members from the start, subject matter aside. Eddie Izzard, y'all! Bill Nighy! Tom Wilkinson! Hell yes I'm interested - Cruise is the real fly in the ointment.
Javero, I think it at least makes a bit more intellectual sense for U.S. movies featuring Americans from different regions to have accents, but yeah, they're often used to reinforce stereotypes of some kind, aren't they? It's not often you hear a character who has a Southern accent just because, rather than in order to show that (s)he's...you know, an old-fashioned racist or somebody's pie-making grandmother or something.
I will credit the British with doing a bit better in this area -
because, of the way accents were so tightly tied to notions of class and associated stereotypes there, they've been more conscious of getting some accent diversity into their TV and movies in the past couple of decades. So you'll have a fully Geordie-speaking cast in a great mini-series like
Our Friends in the North, or Mancunian Christopher Eccleston playing the Doctor. It's true that the "flat" stereotypical London-to-RP accent continuum is still where most speaking roles in Britain sit, and actors do still have to change their accents for dubious reasons (why can't the Doctor be Scottish again?), but I think that thanks to writers like Paul Abbott and his ilk not all roles played by actors with regional accents end up being about stereotypes of that region. John Simm and Kelly Macdonald in
State of Play, for example.
NY Magazine
Updated On: 12/23/08 at 03:31 PM