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#51

Gone Girl

I enjoyed the movie much more than the book. I think a few days with these somewhat awful people was a bit much for me to stew in, but a couple of hours in the theater was about perfect.

Really well cast, all way around, and the leads were fantastic. Pike in particular scared the crap out of me, and I would always have a lock on my bedroom door!
#52

Gone Girl

I found the film to be by and large unengaging -- a flat out bore for much of it. Occasional flashes of energy, but a pretty ordinary Mean Bitch noir film with some delusions of importance. It's basically a retread of LEAVE HER TO HEAVEN. There's less here than meets the eye, despite the fine performances and skilled production. Fincher's really coasting now.

Here's an interesting article on the differences between book and film. Well worth reading, and it diminished my respect for the film even more:
Damn She's Mean
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#53

Gone Girl

Wow. I had some problems with the movie too (as I did with the book, though on balance I enjoyed both) but that piece, Roscoe, seems to completely ignore that Amy's diary is - as we learn in both the book and the movie - an almost complete fabrication.

And this is just plain wrong: "The film provides an important clue to its stance on the Nick versus Amy debate. In the novel, Nick’s sister, Margo, provides a crucial sounding board. But the Gone Girl film uses Margo not just in that capacity, but also as a surrogate for the audience, directing our sympathies. As Margo begins to question her twin brother’s innocence, the viewer does the same. How much do we know about Nick, anyway? But as the plot slowly exonerates him of Amy’s murder, Margo eventually comes back to Team Nick as her initial supposition is proved right: Amy is just another bitch."

The book and the novel are completely indistinguishable with respect to Go's doubts, discoveries and sympathies.





Updated On: 10/9/14 at 02:36 PM

#54

Gone Girl

Yeah, you've got a point there, henrik. There's no way I'm going to believe much of anything Amy says in that diary unless it is clearly corroborated elsewhere. What I took from the article was the idea that the novel makes Nick much more ambiguous, as opposed to the film which makes him ultimately sympathetic, certainly in comparison with the monstrous Amy.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#55

Gone Girl

I'm not sure, Roscoe. I felt exactly the same about both of these people in both the book and the movie. What exactly makes movie Nick more sympathetic than book Nick? The facts on paper and on the screen seem exactly the same to me.

Is it just that Affleck is a likable guy? I didn't imagine Nick any different in fact or personality in my reading.

In addition, the book makes it clear that you don't have to take on faith that Amy's diary is full of lies. Amy, in non-diary mode, is completely candid about exactly who she is and about how much she's lied in her diary.

Updated On: 10/9/14 at 03:46 PM

#56

Gone Girl

'as opposed to the film which makes him ultimately sympathetic, certainly in comparison with the monstrous Amy.'

I know I can't speak for an audience, but I will say that the feeling I got in the theater was, no matter how monstrous Amy behaved, the audience seemed to be on her side. There was an element of 'YASSS, GURL!' to the matinee at the Ziegfeld last week that was kind of darkly thrilling. Disturbing, even.
#57

Gone Girl

I don't think that Nick is a sympathetic character. Yes he is overtly victimized by Amy, and she's a sociopath of one's nightmares. But Nick is himself completely amoral. And he's a great manipulator.

The final scene of him trapped in his rented McMansion petting a murderers head in bed is his reward for being an unconscionable human being. I think that Fincher and Affleck draw Nick in such a stoic and arid way that one could view him as a somewhat neutral character.

But his dialog and actions within that stoic approach reveals a borderline personality. He certainly isn't an Amy, but he does understand her a little too well.
#58

Gone Girl

Wow. Folks sure are down on Nick. Sure, Nick's not much of a prize, his macho sh*t head male entitlement schtick isn't very pleasant, but I found his predicament (framed for a murder that didn't happen by a vengeful psychotic sociopathic shrew) far more deserving of sympathy than Psycho Amy.


"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/

Updated On: 10/9/14 at 04:24 PM

#59

Gone Girl

It might be noted also that if anything in the book Amy is meaner than she is in the movie. In the book, Amy is even more of a serial terrorizer as she's made life a living hell not just for Tommy (in addition to maligning Desi) but also pathologically bullied one of her girlfriends whom she's lied about being her stalker.
#60

Gone Girl

I think what's kind of genius about the movie is that we should sympathize with Nick, but we can't help rooting for Amy. Or maybe it's me. Maybe I'm kind of a sociopath. I mean...I don't think so, but do you really ever know if you're a sociopath?
#61

Gone Girl

I never rooted for Amy. Yeah, it was cute when she was explaining How She Did The Frameup, the contempt for her idiot neighbor was fun, but her insane devotion to destroying her husband's life pretty well put a stop to any rooting I might have done, and then when she cold-bloodedly killed Desi, well, that was that.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#62

Gone Girl

For me the turning point for having no sympathy for Nick is when he nails the interview with Sela Ward. It's so clear at that moment that if he isn't an Amy, he is certainly soulless.
#63

Gone Girl

That's curious to me, GoSmile. In both the book and film, Nick's calculations in the interview are understandable attempts to get Amy back so that he isn't convicted and potentially executed. Why should that be so hard to accept as something anyone, even a far more virtuous person, would do under the circumstances? Those lies seem a lot more defensible than some of his others, none of which - and here I agree with Roscoe - make him much of a villain.




Updated On: 10/9/14 at 06:01 PM

#64

Gone Girl

I enjoyed the book and I felt the movie was quite a good adaptation. SPOILER, But when they sent her home from the hospital covered with blood from neck to foot I almost started laughing out loud. No need to check the body for wounds or forensic evidence. Good grief. And then she gets into the shower hours later and the blood just washes off so perfectly.
#65

Gone Girl

SPOILER SPOILER SPOILER The bigger laugh out loud moment for me was when she pulls up in the car, where all the tv people are, covered from head to toe in blood, and yells "I'm Alive." Or at least something like that. I mean really. I thought this was the movie that would never end. Just dragged and dragged. The performances were good. Somebody mentioned that it should have been longer.(???) I would not have been able to endure that torture.
#66

Gone Girl

double post

Updated On: 10/10/14 at 11:38 PM

#67

Gone Girl

"But Nick is himself completely amoral. And he's a great manipulator."

Is he, though? I've been "trapped" in a relationship before for a number of years and it turns you into someone you don't even recognize. Like how Amy talked about how he was turning her into someone she hates, I feel like the same was done to him. I just got out of the movie about an hour ago so I'm still processing it (and how brilliant I think it was), but his affair, while to the media was a horrible act, to someone who felt trapped in a bad relationship would be salvation.

I'm rambling as I process this. I might go back again this weekend to check it out, I think it deserves a second viewing.
#68

Gone Girl

I always love when a man who is unfaithful is treated like Public Enemy #1 in the U.S. in spite of the fact that we collectively worship the ground Bill Clinton walks on.

Mind you I don't think Clinton should be thrown to the dogs just because he &*()'s around a lot, but the double standard is rich!
#69

Gone Girl

"But Nick is himself completely amoral. And he's a great manipulator."

Sorry, not seeing that Nick's garden variety infidelities and general straight-guy assholishness really qualify him for being COMPLETELY AMORAL. That particular label only goes on one person in this film, and that's his homicidal wackjob wife Amy -- let's not forget that all she really had to do was just divorce her cheating dickhead husband (she's got the prenup, after all) but no, she decides to take months to frame her husband for her own (faked) murder, and then slaughters another man she's conned into coming to her rescue when her not-carefully-enough-laid plans go awry.

Nick's no saint. But he's Gandhi in comparison with his demented murderous bloodthirsty vengeful bitch-bride Amy.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/

Updated On: 10/14/14 at 03:33 PM

#70

Gone Girl

I read this article this morning and thought of this thread. I think it makes some really interesting points and has me thinking about both the movie and the book with more clarity.
The New Yorker
#71

Gone Girl

A very interesting article, in that it completely lets Amy off the hook. Basically, it's all men's fault, or her parents' fault, or the institution of marriage's fault. Poor (homicidal sociopathic) Amy. The article mentions that she stages fake rape scenes, but never that she stages fake murder scenes, and even commits her own genuine murder, which she is able to manipulate into her own scenario of her own (entirely fake) victimization at the hands of men. Rotten evil dirty men.




"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/

Updated On: 10/14/14 at 04:23 PM

#72

Gone Girl

I guess I'm confused why it's so difficult for people to just come away with the conclusion that this bitch is cray.
#73

Gone Girl

"I guess I'm confused why it's so difficult for people to just come away with the conclusion that this bitch is cray."

Well, exactly. The weird dynamic whereby All Women GOOD and All Men BAD is really playing itself out here all over the place.
"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/
#74

Gone Girl

I don't think it is difficult to come to that conclusion at all. I still think the question of 'why' is totally valid. This book and film have struck some sort of chord. I think if she wasn't so seductive and compelling and, frankly, rational in her craziness, then this story wouldn't been that successful in any medium. I think it's part of the fun to explore the reasons why this story has become a bit of a cultural phenomenon.
#75

Gone Girl

Even if they portray her as a genius psycho, I thought he was in the wrong as much as her.

"As much as"?!?! Howso?

I disagree with pretty much everything that A.V. Club article has to say. I read the book and saw the film and I just feel it's trying to fish way too hard for its angle.

I do think the Nick of the novel was a bit less likable than the film, but nothing to the extent that he was a match for Amy or deserving of her particular brand of wrath. I think if you were to try and find a more evenly matched loathsome couple, The Piano more appropriately fits the bill (though I know most really like to simplify Hunter's character as the ultimate victim, conveniently removing all context from the narrative). What really set the Nick of the film apart from the novel for me was the casting of Affleck. I think he was fine, but the actor has a reputation of playing the GOOD GUY and this film really doesn't work hard to dispel that in any way. The casting of Amy worked so well because she's simply not as iconic an actress. An actor with less recognition or a broader range of characters probably would have done Nick some favors.

It's been a long time since I read the book, but I can't remember being disappointed by some rather large plot holes of the story's climactic peak and aftermath like I was in the film. The film left me with a raised eyebrow of skepticism whereas the book left me with a feeling of melancholy and defeat. I read her other books as well, but this really was the best of the three with Dark Places being somewhat forgettable and Sharp Objects incohesive.

I do remember the criticism of the book being "misogynistic" and finding it just as silly then as I do now. It's a disservice to the hard-working production team of Snapped on Oxygen.

Oh, and make no mistake...I HATE The Piano. Awful film. Awful story.


"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian

Updated On: 10/14/14 at 04:40 PM

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