I watched DYNASTY with religious devotion during the Reagan Eighties. While it was on ocassion glitzy over-to-top fluff , the series arguably dealt with topical issues of the day with a bit more aplomb than EMPIRE. Americans needed levity and a restoration of hope that we'd all get our slice of the pie.
We had somehow survived President Jimmy Carter's disastrous foreign policy, the Iran hostage situation, the energy crisis that led to long lines at the pump, and staggering inflation. An inspiring late night rags-to-riches soap opera about a virile middle-aged wealthy American business tycoon bathing in oil with his trophy wife was an easy sell. The fact that he had an openly gay TV son and a sexually liberated daughter was SHOCKING at a time when Americans were still coming to grips with Madonna, 2nd wave feminism, fallout from the sexual revolution, and the emergence of a disease afflicting young adults that would later be called AIDS.
But, most importantly the show's key antagonist Joan Collins as Alexis Carrington Colby did not make an appearance until the start of the second sense to incriminate her ex-husband Blake who was the family patriarch. Aaron Spelling and company kept the focus on the central characters, did not parade an endless list of b-z listers on screen in cameo appearances, PACED THE SCENES MASTERFULLY, and wrapped up each season with a brilliant cliffhanger, at least for 3 seasons. EMPIRE's season 1 cliffhanger will go down in the annals of American TV history as one of the absolute worst.
Taraji P Henson has done a commendable job as Cookie but no one has played a better bitch on American TV than Joan Collins. I suspect that to sustain viewer interest in the Cookie character, a foil will be introduced at some point ala Diahann Carroll's Dominique Devereaux. I have no idea how to make the characters other than Porsha interesting.
Sorry for the lengthy post.
#FactsMatter...your feelings not so much.
Updated On: 10/14/15 at 06:29 PM