Oscars In Memoriam: Recent Deaths Put Extra Pressure on Academy — Page 3
#52
Posted: 3/3/14 at 11:18pm
One name they forgot: Bryan Forbes!!
"Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing.”
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#53
Posted: 3/4/14 at 8:51am
"Am I missing something?"
The extent to which gleeks make everything about them.
I thought they did a wonderful job, and sprinkling the most recognizable names in throughout gave it an appealing sense of continuity - this wasn't a ramp-up to the finish line where names got more and more notable (and thus feel ranked, definitively) which I appreciated.
The extent to which gleeks make everything about them.
I thought they did a wonderful job, and sprinkling the most recognizable names in throughout gave it an appealing sense of continuity - this wasn't a ramp-up to the finish line where names got more and more notable (and thus feel ranked, definitively) which I appreciated.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#54
Posted: 3/4/14 at 10:30am
I thought it was just wrong that they left off Andy Griffith from last year's segment and a little miffed that Dennis Farina was not included this year.
#55
Posted: 3/4/14 at 11:40am
Producers hate the popularity-contest applause, too. I read someplace that part of the reason that they have people singing during the sequence is to try to stop the applause, but it doesn't work. At some awards ceremonies, they ask people not to clap but it happens anyway. I presume that this year, the music was piped in on a separate sound system, which is why you couldn't hear the applause.
I also don't understand why they can't show more than one person at the same time. They could also have a scrolling bar at the bottom with the names of the people who would otherwise be left off.
They have well over 100 people listed on the Oscars website, some with photos and some without.
I also don't understand why they can't show more than one person at the same time. They could also have a scrolling bar at the bottom with the names of the people who would otherwise be left off.
They have well over 100 people listed on the Oscars website, some with photos and some without.
"What was the name of that cheese that I like?"
"you can't run away forever...but there's nothing wrong with getting a good head start"
"well I hope and I pray, that maybe someday, you'll walk in the room with my heart"
#56
Posted: 3/4/14 at 11:50am
The orchestra *was* piped in from the Capitol Records building on Hollywood Boulevard.
#57
Posted: 3/4/14 at 12:26pm
The Grammys have made a habit of grouping similar memoriams on the same page during their montage. Four recording engineers, three classical guitarists, four publicists/managers, etc. It has the effect of both marginalizing those selected, perhaps, but also increasing the number of those so honored. They also get grouped relatively into genres, which isn't a bad thing, as it recognizes thematically similar worlds and gives fans of one notable artist a chance to explore peers or contemporaries they may not have heard. The Grammys also, being a music program, use their memoriam to play music of the departed artists as notable acts come up in the montage. I would have hoped the other shows used more clips, but then again I always think the Oscars and Emmys come up short on celebrating the actual work as opposed to the people (a philosophical difference more than a critique.)
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
#58
Posted: 3/4/14 at 12:29pm
I saw a discussion of people being upset that Cory Monteith wasn't included in the Memoriam. Did he have anything to do with film? Am I missing something?
He was in that film Monte Carlo but he's best known from his TV work. He got a whole speech about him at the Emmys. That's enough
He was in that film Monte Carlo but he's best known from his TV work. He got a whole speech about him at the Emmys. That's enough
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