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The Official Adam Pascal Love Thread, part ten — Page 5

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#101

re: The Official Adam Pascal Love Thread, part ten

He'd probably want to know why we want them. re: The Official Adam Pascal Love Thread, part ten

I'd assume he'll write the new stuff with the to-be-recorded arrangements in mind, no?

I guess I got the impression that Adam was re-arranging and Larry was just accompanying him.
A work of art is an invitation to love.
#102

re: The Official Adam Pascal Love Thread, part ten

Several of Adam's songs are partly credited to someone else, though they're so personal I imagine it wasn't a huge contribution. It would be interesting to know more about how Larry and Adam work together.
#106

re: The Official Adam Pascal Love Thread, part ten

Chloe, which songs are partially credited to someone else? I don't have his actual CDs, so I've never seen the booklets.

Speaking of the shaker, I want the What I Did for Love cover on the new album. I don't think it could match the intensity of one of the videos I saw, though.
#109

re: The Official Adam Pascal Love Thread, part ten

I don't have the Model Prisoner cd handy, but cowritten songs on Civilian: Beautiful Song, Tomorrow and the Sun, Wonderchild, Ordinary Men Abound, 10000 Miles, and The Ringing in My Ear.
#112

re: The Official Adam Pascal Love Thread, part ten

On Model Prisoner, the title song plus "Time It Takes to Fall" are credited with additional lyrics by Joel Moss. He's co-producer of the CD with Tim Weil and also the recorder and mixer.

On Civilian there are no additional lyric credits, but additional music credits are listed for Beautiful Song, Tomorrow and the Sun, Wonderchild, Ordinary Men Abound, 10,000 Miles and The Ringing in My Ear. The collaborators are band members, mostly the guitarist Glenn Sherman and keyboard player Jim Abbott.
#115

re: The Official Adam Pascal Love Thread, part ten

Ugh, I know, Em. I'm watching it again.

Thanks, Chloe. I thought he got some extra help on MP, but I had no idea about Civilian. Speaking of Civilian, it's in my car right now. I always play Tomorrow and the Sun on my way to school -- it's so upbeat, which really doesn't reflect the mentality I'm in while driving to school.
#116

re: The Official Adam Pascal Love Thread, part ten

My first semester at college, I had a 10 a.m. (OH MY GOD SO EARLY! ha.) class four days a week; I'd always listen to that and Wonderchlid on my way to class to wake me up.
A work of art is an invitation to love.
#117

re: The Official Adam Pascal Love Thread, part ten

10 am? Are you kidding me?

*mumbles something about its not fair*

Every semester at least half of the week (if not all week)...8 am. I thought this stopped when my freshman year ended! Yeah...it doesn't...
#118

re: The Official Adam Pascal Love Thread, part ten

HAHA, I love the part where he throws the shaker down and the girls simultaneously freak the hell out.

Anyway, I'd kill to have school start at 10 AM! 13 more days. I can do it!
#120

re: The Official Adam Pascal Love Thread, part ten

It's the strangest transition; I had to be at school at 7 in high school, and now I complain about 9 a.m. classes. Your sleep schedule just goes bonkers.

Well, he gives up the shaker to like... make love to the mic, so... well, I'd freak the hell out too! re: The Official Adam Pascal Love Thread, part ten
A work of art is an invitation to love.
#121

re: The Official Adam Pascal Love Thread, part ten

Yep, it's funny how I had to wake up at 5 AM 5 days a week all through high school and this semester I was bitching so much about having an 8 AM class twice a week. At least I have absolutely nothing before 11 AM next semester.

"There was this one time an alarm went off - it was in the middle of '24.' That's just wrong. Everyone knows everyone was watching '24' at that time." --NYU student quoted in the Washington Square News about students ignoring the frequent fire alarms in dorms

Updated On: 5/2/06 at 08:58 PM

#123

re: The Official Adam Pascal Love Thread, part ten

He must record What I Did For Love.
"Nothing's lost forever. In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead."
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