#1
'Laura, where are you going?
Nowhere fast..and you're not coming.'
'Fire Walk With Me takes the show's loose cluster of supernatural phenomena and reconfigures them as a vulnerable mind's imagined demons, a coping strategy for trauma. If the series is about hunting a literal demon—BOB, a gray-haired man who is said to "possess" Leland Palmer—the film is about realizing that the demon is real. Though in a way these fantastic elements were its bread and butter, the series ultimately suffered, emotionally, by "explaining away" the trauma of Laura's death and by assigning Leland's evil to his demonic alter ego. But the film returns us from fantasy to reality, reasserting the evil in the man himself: Laura's death at the hands of her father becomes a tragedy localized in a recognizable world rather than one happening in the fantasy of fiction. The fantasy becomes figural. A history of sexual abuse becomes real."
When this scene takes its dark turn in the last minute and Sheryl Lee's face becomes engulfed by an insurmountable despair, there are times when I sob for about 15 minutes straight. There are not a lot of films that are able to illustrate that kind of lack of hope so very well. Georgia with Jennifer Jason Leigh would be one. Devastating.
Brilliant, brilliant, brilliant actress. (But she's so ethereal that she's hard to cast well.) Moira Kelly is great in the film. Very good choice to replace Flynn Boyle.
If you were falling in space:
http://www.youtube.com/watch?v=mzl3TXRSJIM
village voice link
Posted: 12/19/13 at 8:11am
'Laura, where are you going?
Nowhere fast..and you're not coming.'
'Fire Walk With Me takes the show's loose cluster of supernatural phenomena and reconfigures them as a vulnerable mind's imagined demons, a coping strategy for trauma. If the series is about hunting a literal demon—BOB, a gray-haired man who is said to "possess" Leland Palmer—the film is about realizing that the demon is real. Though in a way these fantastic elements were its bread and butter, the series ultimately suffered, emotionally, by "explaining away" the trauma of Laura's death and by assigning Leland's evil to his demonic alter ego. But the film returns us from fantasy to reality, reasserting the evil in the man himself: Laura's death at the hands of her father becomes a tragedy localized in a recognizable world rather than one happening in the fantasy of fiction. The fantasy becomes figural. A history of sexual abuse becomes real."
When this scene takes its dark turn in the last minute and Sheryl Lee's face becomes engulfed by an insurmountable despair, there are times when I sob for about 15 minutes straight. There are not a lot of films that are able to illustrate that kind of lack of hope so very well. Georgia with Jennifer Jason Leigh would be one. Devastating.
Brilliant, brilliant, brilliant actress. (But she's so ethereal that she's hard to cast well.) Moira Kelly is great in the film. Very good choice to replace Flynn Boyle.
If you were falling in space:
http://www.youtube.com/watch?v=mzl3TXRSJIM
village voice link
"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter
