I think transcendence between genres is important here as is the context and the piece as a whole.
To that end:
1. "Can't Help Lovin' Dat Man of Mine" from "Showboat"-groundbreaking in so many ways (the material, context and its timelessness)
2. Oklahoma! from "Oklahoma!" (this could have been America as a whole for that post WWII American audience)
3. "It's Too Darn Hot" from "Kiss Me, Kate"-it exudes sexuality and sensuality using words and incredible style (and it has a life of its own aside from the show)
4. "Hello, Dolly!"-from "Hello, Dolly"-this song spent a loooong time at the top of the charts
5. "People," from "Funny Girl,"-This song at least to me while not as far-reaching as "Don't Rain on My Parade"-had one singular impact of showing the other, softer side of Fanny (oh and Barbra too)
6. "Don't Rain on My Parade" from "Funny Girl"-This has been covered more than "People" and has been heard in commercials and is very well-known
7. "One"-from "A Chorus Line"-this is one of the best known song and dance routines in theater
8. "Send in the Clowns"-from "A Little Night Music"-this is Sondheim's most transcendent song and has been recorded by many artists-it stands beautifully on its own
9. "Memory"-from "Cats"-this is another that has seeped into the pop genre and introduced people to theater
10. "I Dreamed a Dream"-the song has a universal theme and is awfully catchy.
Honorable Mention: "Luck Be a Lady" from "Guys and Dolls"
Updated On: 9/28/14 at 11:25 PM