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A Doll's House @ BAM- Page 2

A Doll's House @ BAM

AC126748 Profile Photo
AC126748
#25A Doll's House @ BAM
Posted: 3/2/14 at 12:23pm

The Fiona Shaw/Deborah Warner MEDEA and the Patrick Stewart/Rupert Goold MACEBTH both began at BAM.


"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body

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Kad
#26A Doll's House @ BAM
Posted: 3/2/14 at 12:26pm

Brief Encounter came from St. Anne's Warehouse.


"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."

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henrikegerman
#27A Doll's House @ BAM
Posted: 3/2/14 at 5:18pm

Thanks, AC. Can't believe I forgot that, especially since I saw both of those shows at BAM and certainly knew they went to Broadway.

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Phantom of London
#28A Doll's House @ BAM
Posted: 3/2/14 at 5:35pm

Cheers, wasn't quite sure what venue it came from in Brooklyn.

xyz789
#29A Doll's House @ BAM
Posted: 3/3/14 at 1:49am

Cate Blanchett's Streetcar did not transfer because the Williams estate already promised the Terrance Howard revival for Broadway.

The Janet McTeer version started at BAM and went to Broadway.

I saw this production at the Young Vic and was blown away (you can watch is on Digital Theatre). I saw it again today.

Hattie Morahan could be our next Cate Blanchett. She is incredible. I've seen many A Doll's House, but what distinguishes this one is Hattie, the set, the lighting, the baby and the relationship with Torvald.

So often productions play the ending at the beginning (Nora is miserable when the curtain rises), but what we have here is two incredibly sexy people, completely into one another, but then...

The relationship between them is like so many people today. Cheerful, sex is great, but it's all surface. Nora has a realization. When Nora says "we've never had a serious conversation". I heard people sob.

We sleep next to a partner. We have sex with people. Do we know them? Do we know their souls? Do we have souls? That last ten minutes, I couldn't breathe.

It makes me love theatre even more that a play that premiered in 1879 still holds so much power today.

AC126748 Profile Photo
AC126748
#30A Doll's House @ BAM
Posted: 3/3/14 at 9:21am

Cate Blanchett's Streetcar did not transfer because the Williams estate already promised the Terrance Howard revival for Broadway.

?? Terrance Howard appeared in CAT ON A HOT TIN ROOF, not STREETCAR. Also that production occurred almost two years before the Blanchett STREETCAR.

The Janet McTeer version started at BAM and went to Broadway.

No, it didn't. Direct transfer from London to Broadway.


"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe." -John Guare, Landscape of the Body

henrikegerman Profile Photo
henrikegerman
#31A Doll's House @ BAM
Posted: 3/12/14 at 12:26am

Just got back from BAM. I'm dumbfounded as to why everyone is so ecstatic about this Doll's House. This Nora is petulant, arrogant, narcissistic, nutty, and relentlessly annoying. Her monotony is alleviated only in the final scene by something hitherto unrevealed: whininess.


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