#1
Posted: 12/30/07 at 10:15pm
As the approach of the New Year looms large in Times Square, the first crime of 2008 has been reported. Come January 1, The Drowsy Chaperone will no longer play the Great White Way. And frankly, thats a felony, or at least it should be.
Tonight a packed house at the Marquis Theater screamed, cheered, laughed and cried, as we bid a fond farewell to a wild, wonderful, wistful winning piece of true musical theater. And what a magical night is was. I found myself reluctant to take my seat in the Mezzanine, for I knew once I did, the show would start, and I so didn't want to see it ever end.
This was my first closing night on Broadway attendance and, though I hate to see it close, I am so grateful that I was able to see The Drowsy Chaperone end its run the same way it came, loved and adored by a full house. My first Drowsy experience was the second night of previews in Los Angeles. I fell head over heals for the show and everyone in it, and I have not wavered an inch since. This amazing final performance was everything you dream of : A room full of patrons embracing an original piece of theater with the same affection that it deserves and loved the way you do.
Once inside the packed house (the Mezz was full near to the brim) the energy in the room was palpable and once the lights went down, the place went nuts. Suffice to say that everyone got big to huge entrance applause, every joke landed beautifully and every song exceedingly well received. All the actors were appropriately over the top or at the top of their game, and even the sometimes maligned Bob Saget (he's not my fave and I thought the last time I saw him, he was weak) rose to the occasion, relaxing into the night, waiting for and getting all the laughs in all the right places. Troy Britton Johnson added a bit of sass to "Robert Martin" that was hysterical, tapped the B.Jesus out of his number with Patrick Wetzel and then gave him a kiss on the forehead at the very end. Beth Leavel was in another stratosphere tonight and her "As We Stumble Along" was on fire. Though towards the very end, and even from my seat up in the rafters, you got a sense that she was really starting to choke up and was finding the moment as bitter sweet as many of us were. Even the Gangsters were getting great applause during their pastry schtick.
There were many other little extras that I can't remember at the moment, but the big delightful surprise of the night was the appearance of BOB MARTIN as the Super.
He was hilarious, and even got in a dig about "Cry Baby" , having 'seen it out of town. I heard it is coming to NYC if it can find a theater" Priceless. It got very emotional during the closing song, and Mr Saget did his best to keep it together, showing some true emotion and adding another layer to Man In Chair. Miss Leavel got choked up (understandably) during her last musical lines and the whole cast seemed overwhelmed.
Curtain call included Bob Martin and Casey Nicholaw.
It's a sad day indeed, but a happy one too. Many in the cast are going on to new projects right away, and hopefully the rest of the talented group will be heading to new and exciting things for us to see, and soon. And we still have the show in its many forms, OBCR, National Tour and most assuredly, future regional theater productions for years to come.
Thank you Mr. Martin and your theater family for giving us such an amazing gift, one to be cherished for a long time.
Tonight a packed house at the Marquis Theater screamed, cheered, laughed and cried, as we bid a fond farewell to a wild, wonderful, wistful winning piece of true musical theater. And what a magical night is was. I found myself reluctant to take my seat in the Mezzanine, for I knew once I did, the show would start, and I so didn't want to see it ever end.
This was my first closing night on Broadway attendance and, though I hate to see it close, I am so grateful that I was able to see The Drowsy Chaperone end its run the same way it came, loved and adored by a full house. My first Drowsy experience was the second night of previews in Los Angeles. I fell head over heals for the show and everyone in it, and I have not wavered an inch since. This amazing final performance was everything you dream of : A room full of patrons embracing an original piece of theater with the same affection that it deserves and loved the way you do.
Once inside the packed house (the Mezz was full near to the brim) the energy in the room was palpable and once the lights went down, the place went nuts. Suffice to say that everyone got big to huge entrance applause, every joke landed beautifully and every song exceedingly well received. All the actors were appropriately over the top or at the top of their game, and even the sometimes maligned Bob Saget (he's not my fave and I thought the last time I saw him, he was weak) rose to the occasion, relaxing into the night, waiting for and getting all the laughs in all the right places. Troy Britton Johnson added a bit of sass to "Robert Martin" that was hysterical, tapped the B.Jesus out of his number with Patrick Wetzel and then gave him a kiss on the forehead at the very end. Beth Leavel was in another stratosphere tonight and her "As We Stumble Along" was on fire. Though towards the very end, and even from my seat up in the rafters, you got a sense that she was really starting to choke up and was finding the moment as bitter sweet as many of us were. Even the Gangsters were getting great applause during their pastry schtick.
There were many other little extras that I can't remember at the moment, but the big delightful surprise of the night was the appearance of BOB MARTIN as the Super.
He was hilarious, and even got in a dig about "Cry Baby" , having 'seen it out of town. I heard it is coming to NYC if it can find a theater" Priceless. It got very emotional during the closing song, and Mr Saget did his best to keep it together, showing some true emotion and adding another layer to Man In Chair. Miss Leavel got choked up (understandably) during her last musical lines and the whole cast seemed overwhelmed.
Curtain call included Bob Martin and Casey Nicholaw.
It's a sad day indeed, but a happy one too. Many in the cast are going on to new projects right away, and hopefully the rest of the talented group will be heading to new and exciting things for us to see, and soon. And we still have the show in its many forms, OBCR, National Tour and most assuredly, future regional theater productions for years to come.
Thank you Mr. Martin and your theater family for giving us such an amazing gift, one to be cherished for a long time.