I was also wondering how the sale might affect SF's position of first choice of each season's tours. Certainly Nederlander's huge position on the road besides NY has been a factor as was CSH's role in negotiations (for good or ill, I won't guess). But will SF's reputation as a "theatre town" be enough to maintain our position? We will see.
One thing that I'm pretty certain is that the days of four week runs for the subscription shows are over. I think SF was one of the last cities with 4 week engagements and the expected hesitation of the elderly core of their subscriber base to return spell the end. I noticed that there are no dates on the shows for next season - due as much to uncertainties with the producers and tours themselves as anything.
It will be interesting to see if the purchase affects CSH's agreement with BSF on not booking "Broadway type" shows. I would assume that it would continue along with BSF's other contracts and agreements. Whether her current relationship with ATG at the Curran is a factor, who knows? And what will be the future of HP at the Curran?
Needless to say, there are lots of nervous discussions amongst current (unemployed) FOH staff.
Many questions.
Updated On: 3/24/21 at 01:58 PM