It might be, or might have been until they axed the Live Art department. In my experience you have to be a HARDCORE "I'm more of an artist than you are" type to properly appreciate Live Art, and most of it just squicks the hell out of me.
Though to be fair to the ICA, they show a lot of crazy Asian cinema.
And I've only been to the Royal Court once, which was to review "Wig Out." Oddly I liked it more than most of the other critics did, but I suspect that has to do with me getting the American pop culture references that flew over the heads of the DWM's (one of them was even asking someone involved with the production for explanations during the interval.)
The comments about the National are so funny and so true. Im under 30 and not a huge fan of the venue, although I think it does offer brilliant value and produce some great work. My loyalty in off wet end venue terms goes to the Donmar, LOVE that space.
I do think The Old Vic beats the National (and everyother venue ive been to) for snobbish, unbearable theatregoers. Its bad enough that in my view its one of the worst theatres in London but to add to that its audience members...arrghhh I have to seriously consider how desperate I am to see a production there.
I know I should really take the very admirable approach of Eastwickian....
Oh it's not an admirable approach so much as acute social retardation on my part. If I'm going by myself I tend to get to my seat five minutes before the show starts, bury myself in the programme at the interval and then leave encased in my own little world after the orchestra playout/clapping has finished. It's just the things that I notice and annoy me (which are many and varied) apply to all audiences
And luckily, I fall into Weez's 16-45 exemption...
I've always assumed Sister was the love-child of Moliere and Dorothy Parker. And that's a demographic that is woefully under-represented.
And since we're rambling any which way here, I went to a fantastic Korean restaurant in Soho a few months ago- didn't catch it's name though 'cos it was dark. Anyone have any suggestions where I went? (NB No suggestions of where I've been, thank you)
Looking at your current avatar, I think you've been in the HMV shop in Maidenhead in about 1983 where I saw that LP for sale at about £5 and thought "It'll still be there next time - I'll buy it then". Ofcourse, next time it wasn't there - Dev had bought it.
Tee hee- actually I got it for £1 in a charity bazaar years ago. It was like finding the Holy Grail in a wheely bin off Old Compton Street! I think I've listened to it 3 times in total! I don't even want to know how much it's worth in case I get tempted!
^^^ Get there WAY early in advance, as the whole season is sold out, the day seats are more than likely to disappear not long after the box office opens. I think you'll have more luck though as there's two performances on a Saturday, but I'd suggest arriving at the National about 7 ish (possibly earlier).
I went again yesterday. Got to the box office around 10.20 and got the first standing ticket. XD Standing isn't so bad; I find it helps if you sway, and with two intervals, there's sufficient time to sit down. But turn up earlier and you can probably sit down, which'd be nice. :3
There's a decent number of day seats, but it's a hot show. If you can, take the seats in the upper slips FIRST, otherwise you'll have absolute hell seeing a few scenes and a nastily creaked neck.
I ended up getting to the NT at 8.30ish and there was already a queue of 40 or so people!
Some were queueing for Gethesame (sp?) though. By the time I got to the front of the queue they had 1 day seat and 1 return left for the evening show and one a few day seats left for the matinee. I opted for the matinee as the people behind wanted 2 tickets for the evening and I was flexible.
Absolutely loved the show - so complex, yet well told and gripping. I found myself annoyed by the intervals as I was so engrossed by it and didn't want to wait 20mins to find out what happens next.
I sat in the first seat on the slips Stage Left and couldn't see the porch but apart from that the view was fine - I had a great view of the dining table where the best scenes happened and no aching neck.
Any news on whether it's got a transfer secured yet? I assume it won't be the original cast if it does?
Word is that the producers wanted the Novello, but Spring Awakening beat them for it. No word on if it'll transfer further (New London if War Horse only gets a few months in?) but it will need a new cast as Equity will kick the originals back to the US. And even if the NT cast *could* stay on, it's unlikely that many would as many of the originals didn't even want to do the show in New York.
I saw this yesterday afternoon and can't stop thinking about it.
Just a sublime way to spend three and a half hours! Act II especially was so compelling... Some fantastic performances from the actors playing Violet, Mattie Fae and Barbara, though I wasn't quite so enthralled by the Sheriff or Ivy (good performance but a grating voice and in no way believable as a woman approaching 50).
The audience was fine mostly, although there was much laughter during the scene where Mike Brady and Jean are watching TV which I thought was a bit inappropriate. Particularly when he touches her face - quite a disturbing moment, but not to one old dear who howled with laughter.