Advice- DEH or Great Comet?

Have been following the discussions on these boards and am hoping for some advice from all of you.  I'll be in NYC in March to take my mom to see Miss Saigon, and we have time to see one other show.  I'm torn between Dear Evan Hansen and Great Comet- the music is maybe a bit more my taste for DEH from what I have heard of the shows so far, but Great Comet seems like an overall more interesting experience and Josh Groban was impressive when I saw him in concert.  It also sounds like DEH would be more likely to tour, is that right?  I missed it the first time it was in Washington, DC, but can usually get to shows either there or in Baltimore.  To give you an idea of which recent shows I like... loved both Hamilton and Shuffle Along, but also saw She Loves Me based on the good reviews it was getting, and thought it felt dated and was pretty boring.  Come From Away was fantastic when it was in DC this fall.  No interest in School of Rock, Matilda, etc., and I've already seen Book of Mormon and Wicked multiple times.  Appreciate any advice from those of you who've seen the shows already... thanks!

Dear Evan Hansen is an absolute must in imo 

Updated On: 12/1/16 at 07:37 PM

Both are outstanding, but the overall production values of The Great Comet are so exceptional that I have to give it the nod over DEH.

I greatly preferred Great Comet to Dear Evan Hansen, but I think the tour consideration is a good one. DEH will almost certainly tour, and even if Comet somehow got a tour together, it won't be able to replicate what's being done at the Imperial right now, which is unlike anything I've ever seen on Broadway. 

Hands down, Great Comet. 

I adore both of the shows. Pros for seeing The Great Comet definitely include the physical transformation of the Imperial. The design work is breathtaking, the cast has boundless energy, and the immersive nature is a special experience. When I discuss it with friends, I mention two notes to temper expectations. It's very much an ensemble work and not a Josh Groban concert, so don't go in with the expectation that Pierre carries the entire show, and be open to action swirling all around including a rave (there is prolonged use of a strobe). The matinee was letting out when I picked up my ticket to an early preview, and one woman exiting kept grumbling about how she didn't understand it and wasted her money, with some of her companions in agreement. It isn't going to click with everyone stylistically.

As for Dear Evan Hansen, it is on a much smaller scale physically, but it packs more of an emotional wallop for me and Ben Platt does a tremendous job on that stage. I'm practically in tears before Rachel Bay Jones even begins singing "So Big/So Small." The musical style is contemporary pop, not the eclectic mix of electropop and other styles in The Great Comet.