We all know After Eight is crazy, but isn’t GENTLEMAN’S GUIDE the counterexample that should, theoretically, destroy his whole worldview? He chalks the success of, say, ONCE, BoM, or any Sondheim show up to the public – who
really want the happy-go-lucky, tuneful shows like those of his precious Golden Age – being hornswaggled and strong-armed by the intellectual elite who pass these dirgicals off as “real art.” (Word-of-mouth does not exist in this world view.) Sure, it’s an impressive, borderline-insane kind of self-validation he’s constructed, but that’s the theory.
So, along comes G’s GUIDE. Even After Eight liked it! It’s light! It’s tuneful! It’s both popular
and critically acclaimed! (You’d think the critics’ cabal would be more careful, pushing a show like this, but I guess they have to make their machinations look legit.) In theory, this is the sort of show the public has been wanting all along, even if they didn’t know it -- a step back toward the old-fashioned form, a step away from the overwhelming dreariness and ugliness and Sondheimification of the American Musical Theater.
With none of his theorized factors working against it, this show should be a vacuum sucking in the public’s long-pent-up desires and should, in theory, snap theatergoers out of the stupor the intellectual elite has hypnotized them into and run for at least 50 years. And by the same logic, ON THE TOWN should be doing boffo box office! But it’s not, and G’s GUIDE, wonderful as it is, will eventually run out of steam, too, probably sooner rather than later.
I don’t know how he accounts for these anomalies. I mean, I
do know how – he’s got a screw loose. And he has me blocked, so he won’t see this. I mean, he
will because he’s too narcissistic not to read things about himself. But I’d love to hear him offer an explanation.
/allthewastedtime
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Updated On: 10/30/14 at 09:07 AM