My suspicion is that the Carrie creators wanted someone who would do exactly what Arima did with the material, and even though reviews were lukewarm, there was enough buzz about him at least on the basis of being "the guy who revived Carrie" that he got Bare. Your suspicion is incorrect. One did not lead to the other because Arima had been attached to BARE for the last six years prior to this production, which is much longer than he was involved with CARRIE. I do agree with you that what he did with CARRIE (removing all camp elements and making it "darker") is exactly what the creators wanted, and that's precisely why he was hired- he was the one who asked for a meeting with them and pushed them into bringing the show back by pitching exactly what they wanted to hear.
All that being said, I agree with the sentiment here that all of the work Arima consistently gets is baffling. Both BARE and CARRIE had been on track to go into production with him attached for quite a long time, so it'll be interesting to see how the subsequent failure of both will affect his future as a director going forward. Producers will have to take notice.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 1/24/13 at 09:37 AM