One more before lunch:
At the first orchestra rehearsal in Miami Beach--at that awful Jackie Gleason theater!--the distinguished musical director John DeMain, who went on to conduct the Houston Grand Opera's Porgy and Bess, was putting the undistinguished Miami Beach orchestra through the music.
Nevertheless, it was glorious just to hear that music with a big orchestra after weeks of rehearsal with just piano.
Sitting in the back the house, squirming, was Leonard Bernstein and his usual retinue of handsome young assistants. Each time the orchestra hit a wrong note or took a wrong tempo, you could hear him sigh, louder than anyone else could ever sigh.
At one point he walked down the aisle, his jacket over his shoulders like a cape, tapped John De Main on the shoulder, whispered in his ear, and then strode back to the back of the house as John De Main explained the Maestro's instruction to the orchestra.
Things went better for a while, until they hit another snag. Again, the Maestro strode down the aisle and whispered in De Main's ear. This time, De Main made a formal bow and handed the baton over to Bernstein, who didn't even demur but stepped onto the conductor's platform.
The orchestra sat up in their seats, doing that instrument-tapping thing they do for applause, realizing they were now about to be conducted by one of the greatest musicians of the 20th century.
Bernstein then proceeded to inspire them, instruct them, kid them, praise them--CONDUCT them! Especially with the ballads, the Latin rhythms and the dance in Cool.
Updated On: 10/1/13 at 12:29 PM