His lyrics for Gypsy, WSS, the song "The Boy From", and others are really quite brilliant, sharp, clever. It's funny, because his lyrics fit into the Golden Age of musicals very well, while his own scores had a very contemporary feel. Much sharper. Probably because he puts a lot more focus on lyrics than almost any other composer. But comes far from short in the melodic area. Brilliance!
Do I Hear a Waltz aren't his best, but I really think that came out of the bad relationship he had with Rodgers. Like in "What Do We Do? We Fly!"
Leona's counterpart lyrics are - "I agree, you're like me. I do too, what about you?"
Unless I'm missing something in performance that justifies their painful simplicity in an otherwise cleverly written song...
But other than that, Do I Hear a Waltz is quickly becoming a favorite.
"Oh moon, ah moon, hey moon"
Brilliant.
Some of the score actually reminds me of Sondheim's music.
Personally, I think I have too much bloom.
Updated On: 7/8/06 at 01:18 AM