Best Musical Not Winning Best Book and Score
Alex Kulak2
Broadway Legend Joined: 9/11/16
#1Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 9:46am
With the recent awards The Band's Visit has received, this makes the fourth year in a row that the show that won the Tony for Best Musical has also won both Best Book and Best Score, and it's been 12 years since the Best Musical Tony Winner won neither (with Drowsy Chaperone taking home Book and Score while Jersey Boys took the gold).
The awards going this way has always interested me. On one hand, the production may be more impressive than the material. You don't see Best Director and Best Screenplay going to the Best Picture winner at the Oscars every year. On the other hand, the script and the music seem so all-consuming when it comes to stage shows. If a musical isn't the best written or the best composed, why is it the best musical?
With the influx of Jukebox musicals this season, do you think that this streak will be broken?
#3Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 11:02am
Into the Woods won Best Score while POTO won Best Musical.
#4Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 12:00pm
Have those awards ever gone to 3 different musicals?
Alex Kulak2
Broadway Legend Joined: 9/11/16
#5Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 1:24pm
If Memory serves, In 2005, Spamalot took Best Musical, Spelling Bee took best Book and Light in the Piazza took Best Score.
Shh_413
Stand-by Joined: 4/24/18
#6Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 1:43pmThe year Contact won Best Musical, Aida won Best Score, and James Joyce's The Dead won Best Book
#7Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 2:37pm
Ragtime took Book and Score but lost to The Lion King.
#8Best Musical Not Winning Best Book and Score
Posted: 6/16/18 at 3:04pm
Alex Kulak2 said: "With the recent awardsThe Band's Visithas received, this makes the fourth year in a row that the show that won the Tony for Best Musical has also won both Best Book and Best Score, and it's been 12 years since the Best Musical Tony Winner won neither (withDrowsy Chaperonetaking home Book and Score whileJersey Boystook the gold).
The awards going this way has always interested me. On one hand, the production may be more impressive than the material. You don't see Best Director and Best Screenplay going to the Best Picture winner at the Oscars every year. On the other hand, the script and the music seem so all-consuming when it comes to stage shows. If a musical isn't the best written or the best composed, why is it the best musical?
With the influx of Jukebox musicals this season, do you think that this streak will be broken?"
You see it win either the award for it's screenplay(either for Best Original Screenplay or for Best Adapted Screenplay) or for Best Director almost every year though, with Gladiator and Chicago being the most recent examples of winning neither followed by The Greatest Show On Earth in 1952, All The King's Men in 1949, Hamlet in 1948, Rebecca in 1940, The Great Ziegfield in 1936, Mutiny On The Bounty in 1935, Grand Hotel in 1932, The Broadway Melody in 1928/1929, and Wings in 1927/1928.
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