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Best Musical: Who Will Get That Final Slot — Page 2

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#26

re: Best Musical: Who Will Get That Final Slot

Passing Strange won the NY Drama Critics Circle Award, so that could be somewhat of a lock for it.
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#29

re: Best Musical: Who Will Get That Final Slot

I don't see Passing Strange being snubbed, but I'd be very surprised if it won. While I can't say that I was crazy about it, it was well done and contained a lot of energy and original music. I'd be APPALLED if it wasn't nominated and YF was -- that was just a medicore (not to mention manipulative) show. PS had some originality and earnest performances. But those are just my thoughts.

BroadwayEd

Updated On: 5/12/08 at 09:07 PM

#30

re: Best Musical: Who Will Get That Final Slot

I would like to agree w/you, BUSTOPHER, but I still believe it all boils down to $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$.
Where's the potential?
#34

re: Best Musical: Who Will Get That Final Slot

A CATERED AFFAIR got ONE vote for Best Musical by the NY Drama Critics and that vote was from Clive Barnes who *really* likes rock musicals. What does that say about PASSING STRANGE?
#35

re: Best Musical: Who Will Get That Final Slot

for those who think it is possible for Passing Strange to be snubbed, I just want to remind you of something. Passing Strange was one of the best reviewed musicals of the year. It won the NY Drama Critics Circle Award for best musical. It will definitely be among the Best Musical Nominees tomorrow. I will be in utter shock if it isn't.
Current Avatar:The sensational Aaron Tveit in the soon to be hit production of Catch Me If You Can.
#36

re: Best Musical: Who Will Get That Final Slot

I would say that A CATERED AFFAIR, IN THE HEIGHTS, and PASSING STRANGE are locks.

The question is, what will get the fifth slot - YOUNG FRANKENSTEIN or XANADU. While smart money is on XANADU, don't underestimate YOUNG FRANKENSTEIN.
"If you are going to do something, do it well. And leave something witchy." -Charlie Manson
#37

re: Best Musical: Who Will Get That Final Slot

I would like to agree w/you, BUSTOPHER, but I still believe it all boils down to $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$.
Where's the potential?


Believe it or not, the voters have done a bit of growing up since 1979, when EVITA - which got horrendous reviews - won Best Musical. Just look at WICKED vs AVENUE Q.
"Y'know, I think Bertolt Brecht was rolling in his grave."
-Nellie McKay on the 2006 Broadway production of The Threepenny Opera, in which she played Polly Peachum
#38

re: Best Musical: Who Will Get That Final Slot

Bad shows still win Tonys. Nothing has changed.
"If you are going to do something, do it well. And leave something witchy." -Charlie Manson
#39

re: Best Musical: Who Will Get That Final Slot

I think that this is how it would be in terms of the nomonations

Passing Strange
Xanadu
In The Heights
A Catered Affair.

Granted I haven't seen A Catered Affair and its flaws are doing a good job of keeping me away from seeing it. But, I would rather see the Nom go to it then to Young Frankenstein.

Keep in mind that the producers can't be that manipulative anymore. Gone are the days when the Tony crew can accept bribes for votes. So after the noms are out it shall be interesting to see who wins for what come the day of the awards.
"If you try to shag my husband while I am still alive, I will shove the art of motorcycle maintenance up your rancid little Cu**. That's a good dear" Tom Stoppard's Rock N Roll
#41

re: Best Musical: Who Will Get That Final Slot

Correct. Though you are clearly biased, jrb.

I still think A CATERED AFFAIR is a lock.
"If you are going to do something, do it well. And leave something witchy." -Charlie Manson

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