I recollect that he liked Hal's version well enough because it gave the show more of an afterlife than trying to patch together Lillian's without Lillian. Plot-wise, and spirit-wise, it got closer to what he wanted. He just hated that it wasn't the way he'd do the score.
(For me, as long as you cut some of the unnecessary over-narration, John Caird's book from 1999 is the comfortable middle -- enough bawdy humor for the Hal acolytes, enough music for the Lenny lovers, and enough Voltaire for the scholars.)
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Updated On: 2/5/24 at 03:32 PM