First of all, if "people want the best and sales show it", shows like Mamma Mia and All Shook Up would have closed long ago. Being on Broadway is no guarantee that the show is even good. It just shows how much backing you have to get your show booked into a theater.
Secondly, take a look around folks, Gwen Verdon and Bob Fosse are no longer available to work on this production. They are DEAD!
This is a NEW production of the Sweet Charity story. New actors, new director, new choreographer, etc. They are putting on a show for THIS generation to watch. Many people have not had a chance to see this show in any incarnation (like me!), and unless the creative team are giving interviews claiming "we are planning on copying both Fosse' choreography and Verdon's performance exactly in this version", then please...back off and judge the merits of THIS show on WHAT YOU ARE SEEING ON STAGE IN FRONT OF YOU.
Didn't enjoy the show? Fine. Think Applegate can't sing, dance or act her way out of a sitcom? Fine. Just don't start off your arguements with "Well, Verdon did it this way...", or "I heard her cast album and" ... Applegate ain't Verdon! She's not trying to be, either. Let her leave her stamp on this character, and then judge WHAT YOU ARE SEEING ON STAGE IN FRONT OF YOU.
Didn't like the choreography? Fine. However, please remember, Bob Fosse is dead. There is no way you are going to see his work up there on the stage. Cilento has a tough job to do in balancing HIS new choreograpy for this show without angering fans like you who nitpick that the Frug is a rip off of Fosse' work, yet this show sucks because it's "not Fosse enough". Get over it and attempt to judge THE SHOW YOU ARE SEEING ON THE STAGE IN FRONT OF YOU.
As for direction, Bobbie's job is no easier. I am sure he's all too aware of you fans out there who can't stand the fact that anyone dared to produce this show without Fosse and Verdon being exhumed to re-invent their roles in the project. He's had to deal with that, coupled with an actress that broke her foot, a columnist out for broadway blood, and a crazy producer that can't keep his mouth shut. God only knows what else is going on that we will never see or hear about.
For shame that these people want to bring a production of a great Cy Coleman score to Broadway for a new generation to watch.
For shame.
"My dreams, watching me said, one to the other...this life has let us down."