Hair has the unique distinction of being a show which added a "movie song" to its score without the song actually having appeared in the film. The way Jim Rado tells it, "Hippie Life" (which is the non-sequitur finale to the currently licensed script, and is often shifted to elsewhere in Act One or Two, or cut as in the Paulus revival) was originally written for the film with a different melody, and in the late Nineties, when he and the late Gerry Ragni began endless tweaking of the stage script, Galt MacDermot wrote a new melody for it in its stage incarnation.
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Broadway Legend
joined: 5/1/05
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Updated On: 12/11/12 at 01:58 AM