I think it's interesting, Mike, you brought up PASSING STRANGE. I think that score is much stronger than NEXT TO NORMAL's (I wish I could comment on their books, but I sadly missed N2N during its run.)
PS, to me, seems like a show even more bound to its' original production, thanks to the semi-autobiographical nature of it. I know it's being done regionally now and I'm kind of dying to see a production without Stew in it. I know he wrote it so that he was only the Narrator, and so it theoretically should work, but the way he sang "Work the Wound" is one of the more unforgettable performances I've ever seen (and sadly, all I got to see was Spike Lee's filmed version of the show.)
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.