Dreamgirls Appreciation Thread

I believe this is long overdo
Please contribute anyway you can to the Dreamgirls Appreciation Thread
The Original Broadway Version (Dec 20, 1981 - Aug 11, 1985)
The Revival Broadway Version (Jun 28, 1987 - Nov 29, 1987)
The Actor's Fund Concert (Sep 24, 2001)
Anything you can as long as it's related to Dreamgirls!

Effie is a mighty cool name.
-d.b.j-

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I think this musical has soooo much potential that hasn't even been taped at. It is so "straight to the heart" and beautiful and the songs are SUPERB.

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I haven't seen a production at all, but I have the OBC and the concert recording and the are PHEMOMENOL

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I've said it before and I'll say it again. It is the single most important musical written i the last 25 years. It the the most satisfying and sophisticated of all pop operas ever to play Broadway. It dealt with racial issues in such a way as to make them an American issue, instead of simply (or not) black issue. It took the translating of film techniques to the Broadway staged first made popular by Jerome Robbins to its zenith. Its score stayed remarkably faithful to the soul and pop sounds of the time period, but it also remained brilliantly theatrical.

DREAMGIRLS pointed the way to the future. And we have not listened.

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Well, for me, Dreamgirls is one of the first musicals I ever heard. My father was so obsessed with the show that he brought the vinyl, the cassette tape, and the CD of the OBCR so he could listen to it in any medium. We still listen to it on a regular basis in the car.
And Jennifer Holliday will always remain my original Broadway Star. I had the priveldge to see her by complete accident in Chicago a few years ago and hearing her sing live was one of the most thrilling theatrical experiences of my life.
THE most thrilling theatrical experience of my life would have to be finally being able to see her play Effie in Dreamgirls when she revived her original part in Atlanta at the Fox Theatre.
I've always know that the OBCR was less than faithful in perserving the show's complete score but had no idea how much until I saw that production. I have since bought the Actor's Fund Concert CD and it is rarely far from my CD caddy. Another bizarre stroke of luck is that the AF concert's Curtis was none other than Norm Lewis, the very man I saw play Curtis regionally, so now I also have a recording of him singing the role as well.
If I have any regrets about this show, it's that I was not able to see the original production but I wasn't even a fetus back then. In fact, Dreamgirls is also very important to me because not long after my dad took my mom out on a date to see it, he proposed to her.
My only other regret about this show is that I will sadly never be cast in it unless a production needs an extra Sweetheart for Dave.

Updated On: 9/1/04 at 02:22 PM

Last I heard, Ben Harney decided to leave show biz back in the late 80's/early 90's and I believe he's working with inner city kids up in Harlem or in one of the outer boroughs. Can't remember the details, but when somebody tracked him down (around the time of the Dreamgirls 25th Anniversary concert), he seemed very flattered that people remembered him and very happy with his present life (it sounded quite fulfilling).

I saw Dreamgirls something like 8 or 9 times -- 5 times on Broadway including the OBC, and various road tours afterwards. Bennett's was the single greatest piece of staging I've ever encountered -- a masterclass in direction. Robin Wagner's, Tharon Musser's and Theoni V. Aldredge's designs were all brilliant and the original cast was one of the finest ever assembled. The book is a marvel of economy and the score, always underrated, was one of the most successful fusings of pop, rock, r&b and even rap that ever occurred within a Broadway context ("And I Am Telling You" spent 4 weeks at number one on the Billboard R&B chart and several weeks in the Top 40 of the Pop charts, peaking at #24 -- the only non-cover single taken directly from a Broadway cast album to hit number one on ANY Billboard Chart in the last three decades).

The show is a landmark in the history of the American Theatre -- hopefully it'll make it back to Broadway in the very near future.

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Questions that probably Margo can answer:

What happened to Arnetia Walker and Alisa Gyse (who played Lorelle and Deena in the revival)?

I've heard some great things about them, and just wanna know what theyve been up to...apparently not performing on Bway.

The late great Michael Bennett during "Dreamgirls" rehearsals with his two leading ladies: Jennifer Holliday (Effie) and Sheryl Lee Ralph (Deena).

Jennifer Holliday was a tough act to follow but out of all the "Effies" that came after her I would put Lillias White at the top of my list.

As far as "Deenas" go Sheryl Lee Ralph was awesome...I fell in love with this woman! Alisa Gyse was good but I didn't care for Linda Leilani Brown, who looked very much like the singer "Deena" is based on but vocally left alot to be desired.

Ben Harney outstanding as Curtis Taylor, Jr. with Weyman Thompson and Norm Lewis coming in second and third in my book

Loretta Devine was hilarious as Lorell full of sass and warmth...truly talented woman. Arnetia Walker was great in this role as well.

Cleavant Derricks literally tore down the house as James Thunder Early and although many have tried no one has come even close to touching him in this role.

Yes Margo , Arnetia's currently in the sit-com "The Big House" with Keith David and Yvette Nicole Brown.

Updated On: 9/1/04 at 03:01 PM

Jennifer was definitive as Effie. As for second place, I think Julia McGirt was actually better than Lillias in the role (Lillias understudied her at one point) -- a similar-sounding voice, but with a full four octave range (her sound reminded me of a cross between Dionne Warwick and Patti Labelle). She also had extraordinary breath control -- she sometimes took the last verse up an octave from Jennifer (and everybody else) and could sustain "You're gonna love meeeeeeeee" for a full 15 seconds (the audience would go absolutely crazy at this). A terrific actress too. Roz Ryan was OK (too bitchy IMO and not as vocally impressive as others). Brenda Pressley was the most bizarre-sounding (a bit too much opera training). Sharon Brown acted the heck out of the part, but was perhaps a bit too smooth vocally.

Harney was a great Curtis as was Vondie Curtis Hall, but I think Norm Lewis sings it better than Harney or anyone else.

Derricks was also nearly definitive as Jimmy Early. His twin brother Clinton Derricks-Carroll (he was adopted by Vinnette Carroll..... long story) was nearly as good (same look and voice, but a little less passion). David Alan Grier of "In Living Color" fame was also terrific -- very funny as you can imagine with a nice voice. Herbert Rawlings, Jr was also quite good.

Loretta Devine handled Lorrell's high belt probably better than anyone and was a great comedienne. Arnetia Walker oozed sex in the role and had big brassy voice (as did her sister Fuchsia). Terry Burrell was very funny and vocally at sea.

I don't think there is a definitive Deena. Sheryl Lee Ralph was very good, as were Debbie Burrell and LaChanze.

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Excellent post magruder!

Updated On: 9/1/04 at 04:04 PM