I thought she was as close to the Lansbury gold standard as anyone could get (let's skip the Doyle production -- a different take). She was also, persuasively, authentic -- a British woman who could play the low-class tawdriness effortlessly. Not always an easy aspect to capture, and Angela herself famously had trouble nailing it in rehearsal, despite the role being written for her.
Alas, it was in the cavernous New York State Theater, with poor sound (half opera -- i.e. nothing, and half musical theater, occasional use of body mics on low, or so it seemed.) The lyrics were too often lost, and it seemed woefully under-rehearsed. She could've gone into the oritinal b'way production so easily.
I'm a Paige fan, and thought her Norma in SUNSET was also one of the finest -- she did something no one else bothered to do -- use Gloria Swanson. She more or less looked like her at times, and wasn't afraid of her line-readings. I thought she blended the Glenn Close comedy with the thrilling (but humorless) vocals of Buckley. I saw her in CATS, before it became the World's Biggest Show, but missed her EVITA. I can go all the way back to BILLY, when she was the tarty girlfriend oppostie Michael Crawford. She's earned her diva status. Would love to have seen her PIAF.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling