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Emcee sees A STREETCAR NAMED DESIRE

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#1

Emcee sees A STREETCAR NAMED DESIRE

This isn't going to be so much as an attempt at a review as it is an attempt to get a discussion going about the play, based on some thoughts I had that I'm going to share. There's certainly a lot that I missed, and I know there are people here who can help me. So, for those of you who decide to do so, please forgive my ignorance, and I thank you in advance.

I knew the basic plot outline of the story, but I was truly almost completley new to the play. I'd never even read it. I know, sin. But it's true. This was my first legit exposure to the piece. And, well, I thought it was brilliant, but it's a tough play.

I don't even think I'm equipped at all to address much about the production, because of my new-ness to the material, but I think Natasha was absolutely brilliant. I've been waiting almost two years to see her in person, and she's everything I had hoped for.

My first area of unclarity is about the relationship between Blanche and Stanley. First off, John C. Reilly gave one hell of a performance, IMO, and he's lost quite a bit of weight. I say that because I remember a lot of people commenting on his physicality, saying that Stanley needed to look like something Blanche would find attractive and needed to be impressive when shirtless, I think. I sensed very little sexual tension or chemistry between the two of them, but by the end I was wondering if I was supposed to, seeing as the scene in which Stanley got Blanche into bed looked quite a bit like rape. And, if it wasn't, or wasn't supposed to be, then I'd agree with the criticism about the lack of sexual chemistry between Reilly and Richardson. And, if they're supposed to be attracted to each other, I couldn't see why. There wasn't much likable about Reilly's take on Stanley, save for the sweeter moments he had with Stella. So, what is it supposed to be? I feel like I got sort of mixed messages from the production.

And now, the end. I know I'd sound awfully stupid if I was just like "well, what happened?" so maybe I'll go into my thought process a bit. The noises that happened, I assume are what's going on in Blanche's head. But what's the point of the "flores para los muertos..." bit? First I thought it was an alert that Mitch's mother had died, since Blanche and Mitch were together when the woman first appeared (and she's creepy, by the way). But rather, Blanche was the one running from her, not Mitch. And the people who come to Blanche at the end - I don't know why this is so difficult for me to grasp, but at first I thought she was being committed to an institution or something. Then, I was under the assumption she had died... but as to how or why, I didn't pick up.

I'd like to think I can tell myself that this confusion can be attributed to my almost pure lack of prior exposure to this material, because honestly, I'm a bit embarassed at how much I appear to have been confused about, but I'd really like to talk about this, and I figured where better to go?

So... I open the forum.

P.S. Studio 54 looks.... so weird. It actually almost looks bigger with the seating setup, and the seats are quite comfortable, but it'll take some getting used to. Certainly different. *sigh*

I met both John and Natasha after the show - John was quiet, but very, very gracious. Natasha is spunky and friendly. She signed for everyone and took pictures, as well. She was a pleasure!



A work of art is an invitation to love.

Updated On: 7/2/05 at 12:39 AM

#2

re: Emcee sees A STREETCAR NAMED DESIRE

I've never read the play either- only seen the same production you have. In any case, I thought that it was definitely a rape and she was committed to an institution. So I agree with your impressions, basically. The interplay between Blanche and Stanley was a pure power game, no attraction involved. But rape is about power, so it made sense.
#4

re: Emcee sees A STREETCAR NAMED DESIRE

Have you seen the film? I think if you do your impressions of how Reilly and Richardson handled this might change as Brando and Leigh, I think, created a certain tension between the two character much better, IMO. Not to mention they each were beyond brilliant in their parts.

Check it out. I think it clears a few things up.
#8

re: Emcee sees A STREETCAR NAMED DESIRE

I agree. Natasha is a great person and so nice...when I met her after Closer, she was such a pleasant person to talk to!

...I have to go back to see this again. I saw it when it just opened and I really could not enjoyed it completely. Especially, that singing woman...I really could not get what was the purpose...no transition. No significance. Just cheezy in my opinion.
#11

re: Emcee sees A STREETCAR NAMED DESIRE

I know this play inside out. Not only was I in a production of it many years ago, but I teach it to my Juniors and my ghetto rats are fascinated by it.

First off, this is a play that is written on many, many levels. Each character is allegorical. Blanche represents art and poetry, while Stanley is man's most brutal aspects. From his first moment on stage he is the "beast" tossing a package of raw meat to his wife. Inevitably art and poetry clashes with man's baser instincts and brutality wins out--hence the rape, which results in Blanche's institutionalization at the end.

Blanche is a wounded creature who comes to her sister who is her last hope for survival ("Stella, for star" = star of hope, Orion). There are two sides of Blanche, the one with Madonna-like purity (if the stage directions are followed, she should be wearing blue
in these scenes) and the lustful or whore-like aspect (the stage directions indicate she should be sressed in a red robe in these scenes). Oddly, when the character of Blanche is first introuced, she should be wearing moth-like white. She is certainly the moth drawn to Stanley's fire. (In a Williams play, white represents sexual dysfunction.) When Mitch forces Blanche to shed her illusions and face herself as she really is (the illusions are represented by the paper lantern that he rips off the bulb), both sides of Blanche's personality collide. She experiences a breakdown because in the same night her illusions were shattered and she's been brutally raped by her brother-in-law on the very night his wife is giving birth to his son. As she is led off to the asylum, she is wearing
"Della Robbia Blue", a color which is certainly blue, but has a trace of red in it. Both aspects of Blanche's personality have collided (as one of my students aptly put it: "There are really two Blanches, the Red Blanche and the Blue Blanche) and she cannot deal with it. She cracks up. Perhaps for the first time she is truthful with her sister and tells her (off-stage) about Stanley's attack. The fact that Stella refuses to believe her adds to Blanche's mental imbalance.

As far as the Mexican Flower Vendor is concerned, she is the death of Blanche's illusions. Blanche has been haunted by death: the death of one relative after the other at Belle Reve ("Beautiful Dream"), the suicide of her husband (which she unwittingly prompted), and now the death of her hopes of marrying Mitch. The use of the Flower Lady heightens what is dying in Blanche: he hopes and illusions.

I hope this diatribe helps you to understand one of the most complex and allegorical plays in the American Theater. I hope I didn't ramble too much!
"Long live God!" (GODSPELL)
#12

re: Emcee sees A STREETCAR NAMED DESIRE

Dollypop. I feel like I am in high school all over again. That was awesome!

I saw Streetcar last night as well. And I really enjoyed it. I've read the play and seen the movie. BroadwayGirl 107 is right. The tension created between Brando and Leigh is much different.(plus the fact that they are two of the most beautiful human beings ever born). I kept thinking to myself, it makes more sense that an actor like John C. Reilly would be cast in this role. He shouldn't be sexy or good-looking, but brutish and rough. Although John C. Reilly has played so many meek, dopey husbands (the hours, chicago, the good girl) that it took me a little while to get used to seeing him like this.
#13

re: Emcee sees A STREETCAR NAMED DESIRE

Thanks so much for taking the time to do that, DP. It helped a lot!


A work of art is an invitation to love.

Updated On: 7/2/05 at 11:10 AM

#14

re: Emcee sees A STREETCAR NAMED DESIRE

There's a very interesting review of this production by Daniel Mendelsohn in The New York Review of Books from early June. Unfortunately, it's not online, but if you're in a library, check it out. He basically comes to the same conclusions as most of the critics, but he says some very illuminating things on the way.

One of his best points was about Belle Rêve. It's incorrect French and should be Beau Rêve (le rêve- "dream"- is masculine, "belle" is the feminine form) and Mendelsohn says it was probably originally intended to be Belle Rive- "beautiful riverbank," as it's pronounced that way anyway (rêve is "rehve," rive is "reeve"). He uses this grammatical oddity to discuss Blanche's construction of her past, the somewhat ordinary "beautiful riverbank" misconstrued into a "beautiful dream." Unfortunately I can't explain it nearly as well as he did, but if you're interested in the play definitely go find this article.

I saw a good regional production of Streetcar several years ago, and I can't imagine the play without all the sexual tension between Blanche and Stanley. But I haven't seen this production, so I can't say for sure that it doesn't work.

Mendelsohn also wrote a great critique of Glass Menangerie, which you can read online.

Mendelsohn on Glass Menangerie
"WHEN is the winter of our discontent?" "NOW is the winter of our discontent!" Visit My Blog

Updated On: 7/2/05 at 11:18 AM

#15

re: Emcee sees A STREETCAR NAMED DESIRE

Once again, the stage directions and character description of Stanley indicate that he is in the bloom of his sexuality and that he's in his early 30's. This is not John C. Reilly.

Ah, "beautiful riverbank" makes much more sense. I've wlaways wondered why every production I've seen pronounced the word "reve" as "reeve"
"Long live God!" (GODSPELL)
#16

re: Emcee sees A STREETCAR NAMED DESIRE

I loved Streetcar. Every second of it.

I will always have such pleasant memories of Natasha's brilliance as Blanche. And as I said in a review a few weeks ago, I completely bought John as Stanley. The chemistry between the two characters was not sexual this time around--for Blanche seemed completely disgusted with Stanley right from the start. A different spin on the characters, and I loved it. This was by far the best piece of art I've ever seen in any medium.
#17

re: Emcee sees A STREETCAR NAMED DESIRE

I really do think it worked without all the sexual tension.

I think that when Stanley finally rapes Blanche it comes as this huge blow to Blanche. At the same time, however, it sort of came from no where.

Also, maybe it was me, but the scene where Blanche last sees Mitch, it looks like Mitch "half-raped" Blanche. Like he forced himself on her. I couldn't tell.

Also, I don't think Blanche ever wore red in the show. I know Stanley wore red pajamas and the light shading was red.

Thanks for that DP.
Mama Korey

The Beauty Is: Kelli O'Hara Online

#18

re: Emcee sees A STREETCAR NAMED DESIRE

Maybe the red/pink lampshade was supposed to serve the same purpose as Blance wearing red; it created red light, which she brought into the house.
A work of art is an invitation to love.
#19

re: Emcee sees A STREETCAR NAMED DESIRE

I think that Dolly and L_B said everything that needed to be said regarding what Emcee asked about, so I'll just say that I'm so happy that Emcee and BSo loved the production. re: Emcee sees A STREETCAR NAMED DESIRE

And Natasha looks GORGEOUS in that picture!
#20

re: Emcee sees A STREETCAR NAMED DESIRE

yay, I was hoping you'd see this, MEF! I'm really glad I didn't miss it, since I was certainly doing some severe bullet-biting... waiting until closing weekend. Shame on me.

Natasha is so beautiful. I love her accent, and her speaking voice is really sexy. Yeah, whatever, I said it. re: Emcee sees A STREETCAR NAMED DESIRE
A work of art is an invitation to love.
#23

re: Emcee sees A STREETCAR NAMED DESIRE

I was at the same performance too. I have mostly positive feelings about the show but some reservations.
I wasnt familiar with the story either and was kindve shocked to find out her young lover killed himself over being found in bed with another man and then later said dead boy was called a degenerate by her sister- but this is not his story, its Blanche's story so I wont get too hung up on that. But between that and the large amounts of domestic violence (upstairs too!) I thought the story seemed a little dated.
I enjoyed all the performances, and the set was nice, except for one box that was cutting the angle of my view (but I was in the front row). I thought the ending was abrupt. I wasnt sure if she was going to an institution for insanity or her drinking problem and if it was because she claimed rape or because she was hearing things or if that lady with the flowers was real or a figment of her imagination (as in: death). If she was death, was it just her paranoia or was her rape a symbolic death or ?? So much of that seemed unclear to me and it went by so quickly. Was that last scene supposed to be the tuesday that her bus ticket was for? Does the man she kept trying to reach even exist?
I wasnt sure if Mitch was going to rape her either, but I have to admit that I couldnt watch that actor without thinking child molester, because he played a perv on trial in the movie Devil's Advocate.
Blanche wore mostly whites and off-whites, I think she also wore blue but I dont remember red either. The latern was definitely red and it was pulled on and off the light fixture a few times.
I really cant see having a gorgeous guy as Stanley with tons of sexual tension there - if hes so gorgeous, why would he be different from the guys theyre used to, described as such a brute and think of bowling as exercise? I figured hes supposed to be as average as they come. Just because the movie came first doesnt necessarily mean its the only way to interpret the original source material. You can be 30 and at your personal sexual peak but not be gorgeous and suave. The power struggle worked well here.
And I think the female singer was simply used for scene transitions- not for much purpose except they didnt have a curtain and they didnt necessarily want you watching all the actors move set pieces around.
#25

re: Emcee sees A STREETCAR NAMED DESIRE

some thoughts:

mitch is not supposed to rape blanche. the staging must be very confusing.

i think it is absolutely necessary to have the sexual tension there between blanche and stanley. that is not saying that stanley is a gorgeous model or anything. but they need the tension there because his personality, his brutishness is what blanche is so disgusted in, yet she's so attracted to him at the same time. i've always thought the rape is partly induced by her... the whole show is an act for her and the end is when she can't hold it any longer and she breaks down.

in reality, she is being taken to an institution because of her drinking, her breakdown and stella's not believing her about the rape. however, it sounds to me that the direction of this production is meant to confuse the audience. is she going to an institution? is she dying if the mexican flower lady is there saying (or singing?) her lines... it can be interpreted as both, let alone the fact that to blance being institutionalized is dying.

so, i regret not seeing this production... oh well.

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