Broadway Legend Joined: 3/20/04
But unlike the "tell all" to the NY Times, this one isn't about sexuality.
http://stage-directions.com/esparza
I've never even heard of this website before, but what a great, wonderfully in-depth interview. Totally encapsulates all of the reasons I respect, admire, and adore him. Thank you for posting this.
Broadway Legend Joined: 11/8/08
I did not know he was from Miami. I am too (originally). I just learned something new!
AndAllThatJazz, Esparza is indeed a So.Fl native which I think makes him even cooler (being from there myself, as you know).
What a neat interview. It's pretty wonderful. I love what he says about Sondheim, I love how blunt he is about the Tonys (and in no way does he bash David Hyde Pierce at all), and I really like what he has to say about William H. Macy and Norbert Leo Butz, and of course his comments on Piven are priceless.
Emcee, I didn't know you were an Esparza fan!
It's my deepest, darkest secret.
(BWW NEWS DESK ALERT! SOMEONE POST A HEADLINE! EMCEE'S SECRET REVEALED!)
Anyway, I feel like there'd be no need to bash DHP anyway; it's not like it's his fault he won the award. He didn't go take it. There's no reason for Raul or anybody to be directly upset with him. I mean, surely Raul could have been all "Well, he didn't deserve it and I did," but that's not even really the point he's making; he was saying not so much that it was humbling to lose, but that the loss was humbling because it made him realize how much he had been putting on this without even acknowledging it. I do think it's really sad that he blamed himself for Company not running longer. He gave that show so much, and I know he cared about it a lot, so that really broke my heart.
LuvtheEmcee, I didn't mean to say that Raul should have bashed him or anything to that effect. I guess I've just read or seen interviews in which actors feel the need to bash other actors for losing a role or an award to them (Patti LuPone's ridiculous and obnoxious remarks about Bernadette Peters come to mind, for example). It just makes me respect Raul more knowing that he can accept that experience, talk about it, learn from it, without having the need to diss anyone else's talent. It's such a neat interview, really love it.
Oh thanks! Loved how he pulled no punches, loved the honesty, loved that palpable intelligence that comes through on most of his interviews; tickled to see his usual digs at undergrad theatre class; and adored that sexy, rock star confidence of his.
(Now where the heck is my "next project" info?!)
No, I didn't think you were!
I was saying I think that even if he wanted to, it just wasn't germane to the point he was making, which is actually much sadder and more self-deprecating than the "But I deserved it!" comments like the ones you're alluding to.
His thoughtfulness never ceases to impress me. And I agree with Em - he's talking about losing the Tony in a personal context. DHP had nothing to do with it: he's saying it forced him to re-examine his priorities and consider the significance of the award as affirmation of craft. The significance of the loss became a projection of his own investment in the Tony, and he's gotten past that now. And I think he's got a much better perspective on it now. I hope that's also true in terms of how he feels about Company's closing, because there were so many other factors undermining its run by that time. He shouldn't feel remotely responsible.
I really like how candid he was while talking about his Tony experience. I agree that it seems like he might have come to term with the fact that his loss did not equal COMPANY losing, I mean, the show won Best Revival and it still closed so it really had nothing with him winning or losing a Tony. I hope he knows that now. If anything, it was his performance (and the Times' love-letter to him when he did the Cincinnati production) that guaranteed the NY production. Now I just want to give him a hug.
This is why he is my favorite actor on Broadway. That, and his unequalled acting ability and nearly unmatchable vocal prowess. His performances in SUNDAY IN THE PARK WITH GEORGE and MERRILY WE ROLL ALONG are two of the greatest musical theatre performances I have ever seen.
COMPANY will live FOREVER largely because of his carrying the brunt of that ENTIRE production and turning it, along with Doyle, into something slightly transcendental and it's on DVD as proof to see. The COMPANY DVD is worth a million TONYs, and I'm sure he would agree. Though a TONY would have been nice TOO.
P
Updated On: 7/28/09 at 07:30 PM
Exactly, ray. That's why it broke my heart, because he was the center of that show. Doyle's vision was nothing short of stunning, the rest of the cast was great, but Raul's embodiment of Bobby is what ultimately made that show. It's hard to say that unequivocally because I know how collaborative the process of developing that portrayal was between he and Doyle and they built so much of it (and in turn, the entire show) together, but I still really firmly believe that no other actor would have been able to do with it what he had. No one else is ever going to bring to it what he brought, and it was raw and beautiful and real. This is definitely the most open he's been in the press about the 2007 Tony, and it's just so heartbreakingly honest. I hate to see people who are so insanely talented get down on themselves like that.
Yes, but isn't he known as being difficult to work with and isn't it true that many working Broadway actors do not care for him? Isn't that how he lost the Tony? That was my understanding.
On one hand, I feel like I shouldn't even respond because anything I say is likely to be automatically dismissed, but in the interest of proving wrong the perception that I live in a house of rose colored glass (and answering the question)...
I've always understood it that yes, he did have a reputation for being kind of difficult for a while -- in part because he Post blew the Taboo thing out of proportion and people ran with and remember that, and in part because it was probably, to a degree, true. But all those stories you used to hear, you don't really hear them anymore. And I know people who have worked with him more recently, in various capacities over the past few years, who have had nothing but nice things to say about him. So I think that yes, that probably was a factor in some people's votes, because sure, there are people out there who won't like him. But even still, I wouldn't say that was how he lost the Tony. And, I mean, how can it be your "understanding" that that's how he lost? Did they publish a Reasons for Vote breakdown?
Like I said, I have no problem believing that it lost him a number of votes -- but that it declaratively lost him the Tony? That's a little bit of a broad stroke. We'll never know exactly what it was that cost him the award. There are so many possible factors that, in all likelihood, probably all folded in on top of one another.
Broadway Legend Joined: 2/14/04
Lovely.
And I too am awaiting anxiously for some news on whats next. He deserves a looooong break, but for selfish reasons I don't really want to see that happen.
It's the best interview with ANY actor I've yet seen. What a pleasure to see an actor as fine, complex and articulate as Esparza be encouraged to go into such intricate detail on the inner workings of his craft.
Interviewer Bryan Reesman is sharper than anybody in PLAYBILL or most of the staff at Theatermania. It's clear Raul respected him and trusted him.
Two other points: Raul and DHP have become quite friendly since those Tonys. There is much mutual respect between the two men.
I'm still processing this interview. There are so many things I could say, some of which has already been said, but I haven't found the words yet.
Just one thing, though. Silly and nit-picky, I know, but....Raul is only 38. He won't be 39 until October.
I love this article! Thank you so much for posting. What an inspiration to actors. I sent it to my acting coach. Does anyone have a link to the article done while in Company. I never read it.
Search for his name on the New York Times website. It's probably still there.
"(Patti LuPone's ridiculous and obnoxious remarks about Bernadette Peters come to mind, for example)"
ray, what did Patti say about Bernadette?
Swing Joined: 7/29/09
Thanks for the kind words. This was an amazing interview to conduct, and there's another 1,200 words that I cut out!
Cheers,
Bryan
www.bryanreesman.com
Oh gosh, Bryan, you didn't just say that right? Because you know all of us are now going to be pestering you to post of the rest of that interview somewhere, anywhere! (Please, please, please?!?)
Oh my goodness YES!!
Welcome to BWW, Bryan! That is one of the best interviews I've ever read. Not only did you know your subject, but you were smart enough to ask your questions and then just get out of the way. Let Raul run.
He is nothing if not loquacious!
Bryan, is there any chance we might be able to read the rest of the questions and their answers? Maybe it could be posted privately somewhere?
Bryan, I have a question.
Did your editor cut it or did he/she let YOU cut it?
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