I love the fact that Vivian(Ethel Mertz)Vance was the standby for Ethel Merman in ANYTHING GOES. Adore the fact that Elaine Stritch stoodby for the much older Ethel Merman in CALL ME MADAM. Love the fact that Gretchen Wyler stoodby for the Broadway Margos in APPLAUSE. Mary(the original matron mama morton in chicago, GYPSY national tour, the original singer of "Who's That Woman", the mirror song in Follies) McCartey stoodby for Patsy Kelly in the IRENE revival. Love that Gene Rayburn understudied Dick Van Dyke in BYE BYE BIRDIE and Charles Nelson Reilly understudied Paul Lynde at the same time. Of course Reilly and Rayburn later worked together on MATCHGAME. I guess the most famous understudy is still Shirley MacLaine; becoming a movie star because Carol Haney injured her leg opening night of THE PAJAMA GAME. In the musical APPLAUSE, at one point they sing a lyric referring to the character of an understudy going on stage and "pulled a Shirley Maclaine." CAN YOU think of any other very interesting understudy/standby folks? Oh yes, of course there was the delightful Bibi Osterwald who stoodby for Broadway's Dollys and Thelma Carpenter who stoodby for Pearl Bailey's Dolly. :)
"Blow out the candles Robert and make a wish. Want something, want SOMETHING."
Bea Arthur for Shirl Conway in PLAIN & FANCY Harvey Evans for Jim Dale in BARNUM Chita Rivera for Eartha Kitt in SHINBONE ALLEY Joanne Worley for Carol Channing in HELLO DOLLY!
Lainie Kazan for Barbra Streisand in Funny Girl Lillias White for Jennifer Holliday in Dreamgirls Phylicia Rashad for Sheryl Lee Ralph in Dreamgirls Sherie Rene Scott for Idina Menzel in Rent Eden Espinosa for Idina Menzel in Wicked Donna Murphy for Debbie Gravitte in They're Playing Our Song
Nancy Andrews for Mildred Natwick & Lillian Roth in 70 GIRLS 70 Tom Poston for Eddie Bracken in SHINBONE ALLEY Christine Ebersole & Judy Kaye for Madeline Kahn in ON THE TWENTIETH CENTURY
Myself for Barret Foa for John Tartaglia in AVENUE Q. They never needed me, though. They never even know I existed! I just hid in a closet of a dressing room until I was called to go on - but the call never came. *sigh*
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Eileen Rodgers for Ethel Merman in ANNIE GET YOUR GUN Jerry Orbach for John Raitt in CAROUSEL Phyllis Newman for Judy Holliday and Hal Linden for Sydney Chaplin in BELLS ARE RINGING Karen Morrow for Tammy Grimes in UNSINKABLE MOLLY BROWN
Taye Diggs replaced Norbert Leo Butz in Wicked for a month or so, and Sherie Rene Scott was also a replacement for Idina Menzel in Rent. Both of them were never standby's or understudies for those performers...they were brought in to replace them.
"I love talking about nothing. It is the only thing I know anything about." - Oscar Wilde
Several years ago there was an off-Broadway revival of The Cocoanuts. Michael McGrath was playing the role created by Groucho Marx. Since they wanted to re-create the sort of anarchy that went on during Marx Brothers musicals he was given a certain degree of ad-libbing freedom.
McGrath had just finished a gig standing by for Nathan Lane in Forum. The night I saw him in The Cocoanuts, he made his first entance as Groucho, then stopped and looked around the theatre in brief confusion -- then blurted out, "Wait a minute... this isn't the St. James!" Me and one other guy in the back let out a couple of big laughs. The rest of the audience obviously had no idea what he meant. I assume that was the only night that line was used.
Wow! You guys are really good!!! All I could come up with was Rita Gardner for Barbara Harris in "On A Clear Day" and Mary Louis Wilson for Angela in "Gypsy".
zepka102, honey, don't take that seriously. It was a joke.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Nancy Dulsault for Bernadette in some junk Eden Espinosa is gettin more famous Saycon is probably known across the country for rent and she also did porn modeling (I believe?)
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
anne reinking for roxie in the original chicago(she's not listed as an ensemble member or understudy on ibdb.com but from all the video clips i've seen she was in the ensemble)
"Grease," the fourth revival of the season, is the worst show in the history of theater and represents an unparalleled assault on Western civilization and its values. - Michael Reidel