i truly trust Calhoun's visual sense, particularly after BROOKLYN (the best part of that show), Deaf West BIG RIVER, and even the NINE TO FIVE tour (as reminiscent as the visuals were to the original GREASE design). i wish i had seen his Deaf West PIPPIN. And though the visuals that Greg Boyd/Kevin Rigdon provide or oversee for the Alley are often amazing (though i did miss the original J&H there), i find in general that Calhoun's are more a "machine for the action" and not just "design for design's sake." In fact, a small set for the new Theresa Rebeck play in the Alley's small space only pointed out how well Rigdon can support dramaturgy scenically with the right director.
Will: They don't give out awards for helping people be gay... unless you count the Tonys.
"I guarantee that we'll have tough
times. I guarantee that at some point
one or both of us will want to get out.
But I also guarantee that if I don't
ask you to be mine, I'll regret it for
the rest of my life..."