Boosterism, to borrow the term LarryD2 used earlier in this thread, is a major problem in regional theater criticism. And since DC, Chicago, and LA/Southern California have become the major spots for pre-Broadway engagements these days, their chief critics (Marks, McNulty, and Chris Jones) engage in it regularly. Having shows transfer from their cities to Broadway not only makes them look influential, but makes their cities look like viable tryout spots for future musicals and (rarely) plays. Anything with even the whiff of transfer possibility often gets a fawning, uncritical review that makes it sound like the next Hamilton or Dear Evan Hansen.
Broadway Legend Joined: 9/11/16
One of the only reasons I listen to this show's album is because Steven Booth hits a really good high B-flat at the end of the last song. It's also leagues better than In Transit.
Swing Joined: 5/17/20
Hey man!
I saw from a comment about 2-3 years ago that you saw Glory Days on Broadway and I wanted to know if yous till have the playbill for it because I am trying to frame playbill and I am also paying a lot to buy playbills and I wanted to know if you would give or sell me the playbill, please. I am in desperate need of this very hard time. I hope you and your family re doing well. See ya
PM me if interested
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