FOAnatic, I don't think anyone is debating the merit of her absences. That isn't the issue at hand.
The bottom line is that Benanti has consistently proven to be a performer who cannot maintain a Broadway schedule show after show after show. While I know the seriousness of her injury and mistreatment that followed have been the cause for her poor attendance record, it doesn't diminish the fact that she can't show up because of it.
At some point, producers and investors go with reliability over talent. Though Benanti is not in short supply on the latter, she is clearly a liability. What reason would anyone have to take a chance on her when they know going into the deal that she has extenuating circumstances that prevent her from fully dedicating herself to the show they'd cast her in?
Though I'm sure she's gotten offers since the closing of "The Wedding Singer," let's not forget that she mysteriously dropped out of the one theatrical thing she has committed to since then (the D.C. production of "Songs For a New World.") That certainly doesn't help matters.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.