Best12Bars - I agree with you 100%. I know that often it's the lyrics that suffer when you have pop composers doing a musical for the first time (I will be kind and not count Dave Stewart's awful, not even good camp, Barbarella musical that played briefly in Austria or somewhere). They're not only filled with feeble lines and vague expressions, something I admit I don't mind at all when I'm listening to pop music, but they're just so generic and I think could do with a more character/story based rewrite. (Maybe this is less of a problem on stage when you at last see the action).
I do really like the score though--and I definitely think it has a better chance of being successful on Broadway as well compared to some other recent West End shows (I'm talking adaptations like Dirty Dancing.)
Updated On: 7/13/11 at 08:10 PM