#76
Posted: 8/8/08 at 7:00pm
There's a whole archive of HAIR photos and memorabilia here:
http://www.orlok.com/hair/holding/photographs/hair/HairPhotoIndex.html
Unless you have a while to spend clicking every link--which you might want to do, because it's a pretty cool archive--it's kind of hard to navigate. I happened to click this particular link just now, and I think these photos in offer a good snapshot of the original Broadway production:
http://www.orlok.com/hair/holding/photographs/hair/PhotosSatEvPost8-10-68.html
There are only four images there, but the first one gives you a good idea of some of the blocking, and I think the third one, of the "Supremes", gives you a good idea of the production's sense of fun (at the end of "White Boys" the three singers all parted to reveal that their three sequined dresses were, in fact, one piece). The fourth one, of Claude being tarred and feathered for "Colored Spade", shows you how far they went to illustrate some of the things they were singing about.
You can read a really fascinating analysis of the show, along with a great description of how the original production was staged, here:
http://www.michaelbutler.com/hair/holding/articles/HairArticles/scottmiller.html
Again, it's long, but well worth reading if you have the time.
http://www.orlok.com/hair/holding/photographs/hair/HairPhotoIndex.html
Unless you have a while to spend clicking every link--which you might want to do, because it's a pretty cool archive--it's kind of hard to navigate. I happened to click this particular link just now, and I think these photos in offer a good snapshot of the original Broadway production:
http://www.orlok.com/hair/holding/photographs/hair/PhotosSatEvPost8-10-68.html
There are only four images there, but the first one gives you a good idea of some of the blocking, and I think the third one, of the "Supremes", gives you a good idea of the production's sense of fun (at the end of "White Boys" the three singers all parted to reveal that their three sequined dresses were, in fact, one piece). The fourth one, of Claude being tarred and feathered for "Colored Spade", shows you how far they went to illustrate some of the things they were singing about.
You can read a really fascinating analysis of the show, along with a great description of how the original production was staged, here:
http://www.michaelbutler.com/hair/holding/articles/HairArticles/scottmiller.html
Again, it's long, but well worth reading if you have the time.
"If there is going to be a restoration fee, there should also be a Renaissance fee, a Middle Ages fee and a Dark Ages fee. Someone must have men in the back room making up names, euphemisms for profit."
(Emanuel Azenberg)