I remember reading this in Peter Filichia's blog a couple years ago:
"Take a look at the 44 Best Musical Tony winners that have been adapted from other sources. Start in 1949, when Kiss Me, Kate won the first Best Musical prize.
Now let’s split those 62 years in half. In the first 31 years, 19 of the 23 adaptations that won – or 82.6% -- had brand-new titles. Only Kismet, How to Succeed in Business without Really Trying, Two Gentlemen of Verona and Sweeney Todd retained their sources’ original titles.
But in the next 31 years, only seven of the 21 winning adaptations – or 35% -- had titles that differed from their sources: Nine, Cats, Big River, Crazy for You, Passion, Rent and Monty Python’s Spamalot.
See a trend? At one time, stressing that a Broadway musical was something new was important; these days, stressing that a Broadway musical is something familiar is more important."
http://kritzerland.com/filichia1205.htm
Nothing matters but knowing nothing matters. ~ Wicked
Everything in life is only for now. ~ Avenue Q
There is no future, there is no past. I live this moment as my last. ~ Rent
"He's a tramp, but I love him."