As much as I hated Jerusalem, I admit Rooster was hard (and Mark Rylance made me see that)
I also think Hedda Gabler is a tough role to do correctly (I've seen a few different versions)
Blanche DuBois is difficult
I think King Lear is (after sitting through enough lackluster productions I find it hard to get right)
King Berenger in Exit the King requires a lot of physicality-it's very taxing (and to Geoffrey Rush's credit he did a brilliant job)
I think BOTH the Witch and the Baker's Wife are equally difficult-the Witch has one of the toughest Sondheim songs to pull off-Last Midnight. I consider it so difficult to get right because it's truly a sung monologue. You need a real actress in the role. The Baker's Wife requires a balance of wit and heart which is tough to find.
Hedwig is hard due to the nature of the piece and the need to maintain that energy level plus a rapport with the audience.
I think Diana in next to normal and Big/Little Edie are very difficult in so many ways.
Don Quixote is very difficult vocally for a male performer
Updated On: 9/24/14 at 10:41 AM