Baritone and ABB, I could not agree more. A part of me liked certain moments of "IN THE HEIGHTS" but the way he behaves turned me off quite a bit. I just don't care for the guy and really have no interest in seeing him perform again.
I love MERRILY... but I might skip this. Nothing really too exciting cast-wise...
"I know now that theatre saved my life." - Susan Stroman
So, by that standard was it sad when Sondheim asked Bernadette Peters to play the Witch in Into the Woods as a favor? I mean, I love Stephen Sondheim and his work, but I don't see what makes it sad that he asked someone to play a role in his show. He's brilliant, but he isn't a god, regardless of what some may believe.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
That's understandable, but I'm sure Miranda proved himself to Sondheim with both his work on In the Heights and the West Side Story revival. I mean, it's not as if Sondheim just called him up out of the blue- they have worked together in the past.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Let's not forget Miranda's shoutout to Sunday in the Park With George in his Tony speech. He clearly has great respect for Sondheim, as most worthwhile talents in this industry do. Given Lin's accomplishments, it makes sense for the respect to be mutual.
I am not a huge In the Heights fan, but Miranda's writing and performance in that show did show promise and skill. I look forward to seeing what he does with this role (and with traditional Broadway singing). Maybe he'll be great, maybe he'll suck, but this is hardly a turn-off for me; it's a very surprising move involving a large name, and it only makes me more intrigued.
And I hope that, sometime afterwards, we'll get to see Miranda grow as a writer. Moments in In The Heights lead me to believe that he has more substance in him than we have seen so far.
Ego or whatever, the Sondheim story sounds a bit self-congratulaiory, but my question is; People who say it's perfect casting, what are you basing this on? The guy has played one role which was basically himself. I think he's cute and talented but I don't see him as Charlie.
Are people really worried about him rapping? Do you fear that perhaps he'll play it safe during rehearsals and then just go rogue in performance and bust it out?
"People who say it's perfect casting, what are you basing this on? The guy has played one role which was basically himself. I think he's cute and talented but I don't see him as Charlie."
Charlie is precisely a cute, endearing, talented nice guy, loyal to a point, supportive. He's also witty, can be arch, doesn't take **** from anyone, and has to hold the audience in the palm of his hand.
That's why I think it's a perfect fit for Lin. The role is similar to his breakthrough role in key ways but different enough not to make the casting insipid. Which is what makes it perfection.
As for playing one role, what's your point? Every star, like Lin, who starts out identified with one specific role, has to have a second. Unless you are suggesting that "perfect casting" is synonymous with "typecasting," than the fact that Lin is associated with one role in no way defeats a different kind of role being right for him.
As to him playing himself in IN THE HEIGHTS, have you met him? I have, albeit briefly, and he doesn't strike me at all as the same person Usnavi is accept that they both seem like very cool people.
Even if you were right, does it matter? Many great artists made a great career playing themselves, one similar, or even one quite different personality, with minor variations. But that alone doesn't mean they were incapable of doing other things, and quite well.
Charlie! Charlie! Charlie!...blah blah blah...:)...the REAL story with this ENCORES! production is WHICH book are they using?...the original book and score that opened and closed on Broadway back in 1981, or the so-called revised 'official' version that George Furth re-wrote before he passed away?...i saw a one night only production of this so-called official vesion at UCLA a few years ago that i thought was GOD-AWFUL...Furth took out so much of the original backwards-in-time aspect to the book, while also taking out some of my favorite songs, including OUR TIME...and the HILLS OF TOMORROW...does anyone have any word on which version will be staged?...
Phyllis...you might be right about OUR TIME...i think what threw me off about the 2002 concert performance was the altered book and the change in songs to accomodate the revised book...THE HILLS OF TOMORROW did not open nor close the production, and the announcement by George Furth before the music started that this was the final and official new version of the book and song list got me very upset...i think i expected to hear the original broadway cast album song list...i actually would want to see and hear that orginal book and score done the way it was back in 1981...call me old-fashioned...
I've always heard that, of all the revised versions of the show, Sondheim most prefers the one from the York revival in 1994, so I wouldn't be surprised if that's the version they're using.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Thanks Henrik... My point was not that he is a one hit wonder, but what qualities would make him a good Charlie and you explained that. I just don't see how the casting is perfect based on his performance in ITH. Of course he's entitled to a new part and maybe this will show a new side of his talent, I'm skeptical but we will see.
He's clearly not planning on rapping any part of the score. This is for those who are worrying, not you Phyllis.
Lin_Manuel Lin-Manuel Miranda I gotta say, I expected way more snarky "Is he gonna RAP Franklin Shepard Inc?" reactions. Really humbled by all your congrats. Thank you.
While not excited about this announcement, I will try to go in with an open mind. I just already have a vision in my mind as to how he will play the part. I really hope he surprises everyone. I know that these productions are "concerts" and maybe we should kind of forget about "who should play the parts" but they do use the books and I will say, I just don't see the character as a Puerto-Rican American. In an actual concert with just the songs, maybe. But not in an Encores! production or a full scale production. Again, I hope he surprises everyone, like me, who isn't crazy about him being cast and has me coming back here raving after I see it.
Lapine directed one of the first versions of the revised script and Encores did the revised Follies, so I have no doubt it's the new one. Which is kinda too bad, I do think the new script works better on stage, but for a somewhat concert staging I would have liked to see trhem go back.
And yes, Our Time ends the revised version--which I admit is one of the more effective parts.
Is it true that Sondheim himself cast you in the upcoming Encores! MERRILY WE ROLL ALONG that it was just announced you are starring in as Charley?
LMM: Well, he e-mailed me to be sure, but, I don't think he chose me. I think he and Lapine were talking about potential Charleys and I think my name came up. So, he e-mailed me to ask me if I would be interested. You know, the part that that [New York] Times column left out was that I fully auditioned - I did a demo of "Good Thing Going" and sent it in. This is a crazy-demanding part and this was not just an offer out of the blue. And, I am really excited to get to work on it. So, yes, he e-mailed me and it was just the most thrilling e-mail that I could get because I remember seeing the first press release and being like, "Oh, who is he going to get to play Charley?" [Laughs.]
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
