Mel Brook's method of humming melodies into a recorder and then having a trained arranger figure out harmonies and come up with form, modulations and all those other goodies is how a lot of pop music is written these days. Do you think Janet Jackson or Mariah Carey carefully debate the virtues of half-diminished versus minor seventh chords when they "write" songs for their albums?
Coming up with a catchy melody and clever lyrics is no small achievement, and arrangers who can add harmonies and other musical details are a dime a dozen. (That's not to take anything away from the brilliant work Glen Kelly did on The Producers.)
ETA: I just had a very disurbing thought, imagining what the Grey Garden's score might have been like if Mel had written it.
"I have got to have some professional music!" - Big Edie
Updated On: 7/1/07 at 08:20 AM