If haters are gonna hate, and I have been one of the negative voices on these boards against IF/THEN so I guess that counts as me, I'll happily say the OBCR is much better than the show itself and the score, such as it is, is given a very good presentation on album. Menzel moves units, as they say in the music biz, and I'm happy for Broadway in general to see cast albums climb the charts. Now let's see if IF/THEN has the kind of cultural moment that BOOK OF MORMON had, reaching #3 on the chart at its peak if I recall correctly, or the staying power that WICKED and JERSEY BOYS have shown by staying strong in sales over time. I'd be happy for Kitt/Yorkey and all involved if it does!
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.