Given the creative team involved, particularly Bill Kenwright, I think this is an attempt at coming up with something new to present to the provincial British "family market" now that he's worked Joseph, Blood Brothers, and Whistle Down the Wind to death, and possibly will get some coin on the amateur circuit like the aforementioned Harnick/Raposo adaptation. If it comes to the West End or Broadway, it will be solely on the strength of McCartney's name, as I don't think this would be a commercially successful venture either place.
However, I do applaud Paul's finally writing a musical, as he's long spoken about writing one, having seen West Side Story and Oklahoma! on tour as a kid and been bitten by the bug. Any voracious readers of Beatles bios will recall that he and John once attempted to write a piece called Pilchard, ostensibly about the Second Coming, where Jesus returned as a scrub in a Liverpool slum, with the dramatic conceit that the Christ figure himself never appeared onstage but was referred to by the other characters [i.e. "He's upstairs praying"]. (They got as far as two pages and one song before they got bored with the idea, if anyone's curious.)
Paul's always played with the notion of being more than just a pop star (with three classical albums, four avant-garde electronic albums, a ballet score, and books of both collected poetry/lyrics and artwork to his credit), and I'm glad to see him exploring impulses in this vein.
Formerly gvendo2005
Broadway Legend
joined: 5/1/05
Blocked: After Eight, suestorm, david_fick, emlodik, lovebwy, Dave28282, joevitus, BorisTomashevsky, Seb28
Updated On: 7/18/19 at 02:58 PM