what's with the Dancap hate ? Yes, I don't understand all the sniping either.
Dancap made J BOYS happen and got a very successful 2-year run out of it. (When was the last time Toronto had a big scale musical that lasted 2 years? Even SOUND IOF MUSIC only lasted 16 months.)
From the start people complained that that downtown audiences would'd go "all the way up there," and they have been. The show made the TCA viable again after 10 years of being mostly unused.
Now, Dancap has been limited by available product (some of you don't seem to get that not every show on tour in the USA has clearance to cross the boarder)and available space. GRINCH was scuttled because the Sony Centre was not going to be ready in time. Some of the shows were of lesser quality. (HAPPY DAYS?) Some got mixed reviews (TOXIC AVENGER) or worse. But others did well: DROWSY CHPERONE didn't exactly sell out but did generally good busienss. ANNE OF GREEN GABLES did quite well especially with all the extra matiness geared to schools.
The competition has forced Mirvish productions to get more agressive with their programming, after a few lacklustre seasons (though to be fair they too were again limited by available product.)
It is also very hard for any new theatre company to compete against established groups which already have huge bases of current and former subscribers: Mirvish, Canstage, Soulpepper, Tarragon. COC, NBOC.
The way the sniping goes you'd thing people here want Dancap to disappear and for no one else to even try.
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com